tag:blogger.com,1999:blog-25570901855808319682024-03-27T16:53:37.467-07:00THE KEVGO FILESThe Kevin Goins Archive of Liner Note Workssoulninjakevin@gmail.comhttp://www.blogger.com/profile/03550433993133198934noreply@blogger.comBlogger16125tag:blogger.com,1999:blog-2557090185580831968.post-27514579356155543062018-10-03T19:04:00.001-07:002018-10-03T19:08:41.037-07:00<div class="separator" style="clear: both; text-align: center;">
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<span class="il" style="background-color: white; color: #222222; font-family: "arial" , sans-serif;"> SYLVERS</span><span style="background-color: white; color: #222222; font-family: "arial" , sans-serif;"> - “</span><span class="il" style="background-color: white; color: #222222; font-family: "arial" , sans-serif;">SOMETHING</span><span style="background-color: white; color: #222222; font-family: "arial" , sans-serif;"> </span><span class="il" style="background-color: white; color: #222222; font-family: "arial" , sans-serif;">SPECIAL</span><span style="background-color: white; color: #222222; font-family: "arial" , sans-serif;">” (SoulMusic Records CD reissue, 2015)</span></div>
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<span style="font-family: "arial" , sans-serif;">Released in November of 1976, weeks before Thanksgiving, <span class="il">SOMETHING</span> <span class="il">SPECIAL</span> was the second Capitol album for the LA-based <span class="il">SYLVERS</span>. The family – Leon III, Olympia, Charmaine, Pat, Edmund, James, Ricky, Angela and Foster – were on a roll, thanks to their #1 Pop/Soul smash, “Boogie Fever”, from earlier that year (produced by the late Freddie Perren). <span class="il">SOMETHING</span> <span class="il">SPECIAL</span> reunited the <span class="il">Sylvers</span> with Perren and featured their Top 5 Pop/Soul hit, “Hot Line”, as well as the follow up smash, “High School Dance”. The album was their biggest selling disc on Capitol as it peaked at #13 on Billboard's R&B LP Chart (#80/Pop LP's).</span></div>
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<span style="font-family: "arial" , sans-serif;">To briefly recap the <span class="il">Sylvers</span>' history, the family (headed by Leon II and Shirley) hailed from Memphis, Tennessee. When the eldest four (Olympia, Leon III, Charmaine and James) were still little, Mom and Dad <span class="il">Sylvers</span> moved their growing brood to California in the mid-1950's, where they became an established singing group called the Little Angels. The foursome soon made TV appearances on Danny Thomas' “Make Room For Daddy” as well as Groucho Marx's “You Bet Your Life” (both can be seen on You Tube!). In addition, the Little Angels recorded singles for Morty Craft's Warwick label (“Santa Claus Parade”) as well as – believe it or not! - Capitol! (“Says You”).</span></div>
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<span style="font-family: "arial" , sans-serif;">By the mid-1960's, the <span class="il">Sylvers</span> family grew to ten children (Edmund, Joseph - “Ricky”, Angie, Patricia - “Pat”, Foster and Christopher – the latter never sang with the group). Unfortunately, Leon II and Shirley's marriage fell apart and they divorced. After relocating numerous of times, Mother Shirley and the kids settled in Los Angeles' Watts area, which was still reeling from the 1965 riot that all but destroyed the community. It was decided then that the siblings should concentrate on education, rather than live performances.</span></div>
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<span style="font-family: "arial" , sans-serif;">While Leon <span class="il">Sylvers</span> III was attending Alexander Hamilton High School in LA, he began songwriting in his teens, inspired by a school teacher. “Mr. Simon was my history instructor at Hamilton High,” Leon explained in a 2015 telephone interview. “The way Mr. Simon taught history was he'd give us the 'textbook' version of events, then he'd flip over the chalkboard and said, 'now, THIS is what really happened!!' He knew that the school books didn't give the full and honest truth about our country. We loved the way Mr. Simon taught, even though some folks didn't quite like it and had officials, even government people, come by our classroom to 'observe' what he did! It was while being in his class that I composed 'Fool's Paradise' (the <span class="il">Sylvers</span>' first hit single on MGM/Pride Records in 1972), which was my way of saying that one should not believe one point of view.”</span></div>
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<span style="font-family: "arial" , sans-serif;">At that time (1971), the <span class="il">Sylvers</span> – Olympia, Leon, James, Ricky, Edmund, Charmaine – were signed to MGM Records. After cutting a couple of singles that didn't make any noise, they were placed under a new label within MGM called Pride Records (headed by Michael Viner). With Keg Johnson,Jerry Butler and Jerry Peters producing, the hits came - “Fool's Paradise”, “Wish That I Could Talk To You”, “Stay Away From Me”, “Through The Love In Your Heart”. In 1973, Foster <span class="il">Sylvers</span> with Pat and Angie scored the monster smash, “Misdemeanor” (composed by Leon). The family cut three albums (Foster had two) for MGM by 1974.</span></div>
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<span style="font-family: "arial" , sans-serif;">While the group enjoyed success with MGM/Pride, it came at a cost. Soon, the <span class="il">Sylvers</span> discovered that they were thousands of dollars in debt to Pride Records executive, Michael Viner (he sued them for monies due, the family agreed to repayment). This prompted the <span class="il">Sylvers</span> to leave MGM/Pride for a better landscape. That's when manager Al Ross came in. “Al became our representative and helped us get ourselves together financially,” Leon explained. “That's when we started looking for a new label and found out that Capitol Records were interested in signing us”.</span></div>
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<span style="font-family: "arial" , sans-serif;">Yes, Capitol had their eye on the group, or rather, the company's head of Black music, Larkin Arnold. “When I learned that the <span class="il">Sylvers</span> were available, I wasted no time signing them in 1975”, said Mr. Arnold in a 2015 phone interview from his home in LA. “In fact, I had the perfect producer in mind, Freddie Perren. He and I were classmates at (the Washington DC-based) Howard University. I knew Freddie was available because he had just left Motown Records – where he had a tremendous run as a songwriter/arranger/producer for several years”.</span></div>
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<span style="font-family: "arial" , sans-serif;">The word “tremendous” is an understatement. Freddie came on board to Motown in 1967, after working as a vibraphonist/percussionist with Jerry Butler, he teamed up with Deke Richards, Fonce Mizell and label chief Berry Gordy as The Corporation – the brain trust that came up with monster hits for the Jackson 5 (“I Want You Back”, “ABC”, “The Love You Save”, “Mama's Pearl”, “Maybe Tomorrow”). Freddie went on to work with the Miracles when Billy Griffin was the lead singer and the result - “Do It, Baby”, “Don't Cha Love It” and the #1 smash, “Love Machine'. By this time (1975), Freddie had left Motown to form his own company, Grand Slam Productions.</span></div>
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<span style="font-family: "arial" , sans-serif;">Leon picks up the story, “We went to Capitol because Larkin Arnold had Freddie Perren there, ready to work with us on making hits. I have to say that there were two producers who had a great impact on my learning how to produce records – Keg Johnson and Freddie Perren. Yet, Freddie inspired me the most because he had a very calm demeanor in the studio. He didn't yell or anything. If matters became stressful at a session, Freddie would diffuse the situation in a cool, controlled and no-nonsense manner. He'd have folks take a break, breathe, relax for a bit – then back to work”.</span></div>
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<span style="font-family: "arial" , sans-serif;">The <span class="il">Sylvers</span>' first Capitol album, “Showcase” (1975), featured the group's first #1 pop/soul smash, “Boogie Fever” (composed by Freddie Perren and Keni St. Lewis). The album also featured the single, “Cotton Candy” as well as the family jam, “Freestyle” - which featured Leon on bass, Edmund on drums, Ricky on guitar and James on keyboards. It was also the first album to have the nine siblings all together. Leon - “We decided to bring in Foster, Pat and Angie into the group to give our music a fuller sound. Also, at the time, both Charmaine and Olympia were each having children at the time. So, it benefited us to expand the group to include Pat, Angie and Foster.”</span></div>
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<span style="font-family: "arial" , sans-serif;">Soon after the <span class="il">Sylvers</span> had nailed their first RIAA-issued Certified Gold and Platinum singles plaques for “Boogie Fever” onto the walls of the family house, they went back into the studio with Freddie Perren to cut the <span class="il">SOMETHING</span> <span class="il">SPECIAL</span> album in early 1976. Leon - “What I loved about our hit single, <b>'Hot Line',</b> was how Freddie and Keni put the most interesting part of the song, lyrically, at the moment where it would catch the listener in a subliminal way. The part – 'you're my lover, undercover, you know what I'm talkin' about' – Freddie went over that particular line with Edmund repeatedly, to make sure he delivered it the right way. I didn't understand why, at first, he was doing this until we performed it on TV months later. THAT'S when it hit me what the song was about! The guy was having a thing with this girl 'on the low'! And what really got me was that line was there towards the end of the song! That was a big lesson for me as a songwriter and producer, knowing WHERE to put a lyric so it will help send the message home – and leave the listener wanting to hear more”.</span></div>
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<span style="font-family: "arial" , sans-serif;">For the follow-up single, <b>“High School Dance” </b>(co-written by Leon, James, Edmumd and Ricky), the <span class="il">Sylvers</span> went “back to school” for sound effects purposes! “We actually went into our alma mater, Alexander Hamilton High School, to record the bell as it had rung to dismiss classes! The family and I had wanted an authentic school bell at the beginning of 'High School Dance', but not from a sound effects record. So, we went into Hamilton High, put a microphone under the bell as it was ringing and went back to the studio to cut the song. The brothers and I played on that tune – James on keyboards, Edmund did drums, Ricky on guitar and I on bass”.</span></div>
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<span style="font-family: "arial" , sans-serif;">Leon continued - “My favorite on the album is '<b>Ain't No Doubt About It'</b>, which I had sung with Olympia. Freddie wrote that with both of us in mind. Now, Olympia has a wide range – from low to falsetto. On this tune, she's singing in her lower voice. Olympia is more of a jazz/soul vocalist, which worked for the song”.</span></div>
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“<span style="font-family: "arial" , sans-serif;"><b>Loving You Is Like Loving The Wind”</b> found sister Angie in a Motown-type groove (think Diana Ross & the Supremes!) while <b>“Disco Showdown” </b>was one of two of tunes led by Foster (the other was <b>“Now That I Want You”</b>) Pat handled the lead on <b>“Got To Have You (For My Very Own)”, </b>Edmund took care of <b>“Shake 'Em Up” </b>(with Foster) and “<b>That's What Love Is Made Of” </b>with Pat on the chorus. The funk-driven <b>“Mista Guitar Man”</b> rounded out the album.</span></div>
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<span style="font-family: "arial" , sans-serif;">After the release of <span class="il">SOMETHING</span> <span class="il">SPECIAL</span> as well as the singles, “Hot Line” and “High School Dance”, Freddie went back to work with Tavares (he produced their “Sky High”, “Love Storm” and “Future Bound” albums) and Yvonne Elliman for the soundtrack to “Saturday Night Fever”. This made him unavailable to work with the <span class="il">Sylvers</span>, who went on to self-produce their 1977 album, “New Horizons”, with mixed results, sales-wise.</span></div>
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<span style="font-family: "arial" , sans-serif;">A year later (1978), when the <span class="il">Sylvers</span> offered Capitol the tracks for the then-proposed “Forever Yours” disc, the label execs rejected those songs. This prompted the group to leave Capitol for Casablanca Records (which released the “Forever Yours” album), while Leon became a successful in-house producer/songwriter for SOLAR Records (“Second Time Around” - Shalamar; “And The Beat Goes On” - Whispers, among other hits).</span></div>
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<span style="font-family: "arial" , sans-serif;">In time, the <span class="il">Sylvers</span> went on to record an album each for SOLAR and Geffen (both produced by Leon III) but the hits eluded them. The siblings faced numerous challenges – the passing of brothers Christopher and Edmund, both Ricky and Foster had legal issues (since resolved), followed by the death of their beloved mother, Shirley. Before their mom passed away, the USA-based cable channel, TV-One, featured the <span class="il">Sylvers</span> on the popular entertainment documentary series, “Unsung” - which resulted in thousands of old and new fans showing interest in the group.</span></div>
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<span style="font-family: "arial" , sans-serif;">As for the <span class="il">Sylvers</span>, Leon says that all his brothers and sisters (and extended family!) are doing well. “We're working on a new album”, he explained, “that will be a contemporary Christian recording. It's been a three-year process because everyone has their own families and lives to take care of. But, it's slowly coming to completion”.</span></div>
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<span style="font-family: "arial" , sans-serif;">In conclusion, <span class="il">SOMETHING</span> <span class="il">SPECIAL</span> lived up to its title, for each tune and the vocal prowess of the <span class="il">Sylvers</span> did indeed offer that “<span class="il">something</span> <span class="il">special</span>” for fans. A soulfully colorful treat as bright as the group's red and white stage wear against the blue background on the cover! To paraphrase a tune from the album, this is what great music is made of.</span></div>
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<span style="font-family: "arial" , sans-serif;">Kevin L. Goins</span><span style="font-family: "arial" , sans-serif;">August 30, 2015</span><span style="font-family: "arial" , sans-serif;">New York City</span></div>
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<span style="font-family: "arial" , sans-serif;">Sources:</span></div>
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<span style="font-family: "arial" , sans-serif;">Telephone interviews with LEON <span class="il">SYLVERS</span> III (August 26, 2015) and LARKIN ARNOLD (August 19, 2015)</span></div>
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<span style="font-family: "arial" , sans-serif;"><a data-saferedirecturl="https://www.google.com/url?q=http://www.allmusic.com/&source=gmail&ust=1538704578830000&usg=AFQjCNHLNbmZIuutQfIWeEVojb6cBQgchA" href="http://www.allmusic.com/" style="color: #1155cc;" target="_blank">www.allmusic.com</a></span></div>
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<span style="font-family: "arial" , sans-serif;"><a data-saferedirecturl="https://www.google.com/url?q=http://www.billboard.com/&source=gmail&ust=1538704578830000&usg=AFQjCNEEv98poPPKpq9vGndycSo4x5w2sQ" href="http://www.billboard.com/" style="color: #1155cc;" target="_blank">www.billboard.com</a></span></div>
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<span style="font-family: "arial" , sans-serif;"><a data-saferedirecturl="https://www.google.com/url?q=http://www.soulwalking.co.uk/&source=gmail&ust=1538704578830000&usg=AFQjCNHNe7gbg7PHiNjSUwC2-B9QZoLShQ" href="http://www.soulwalking.co.uk/" style="color: #1155cc;" target="_blank">www.soulwalking.co.uk</a></span></div>
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<span style="font-family: "arial" , sans-serif;">First of all, a big THANK YOU to A.SCOTT</span><span style="font-family: "arial" , sans-serif;"> GALLOWAY of the Urban Network, for connecting me with Leon</span><span style="font-family: "arial" , sans-serif;"> </span><span class="il" style="font-family: "arial" , sans-serif;">Sylvers</span><span style="font-family: "arial" , sans-serif;"> </span><span style="font-family: "arial" , sans-serif;">III</span></div>
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<span style="font-family: "arial" , sans-serif;">Thank you's to Leon <span class="il">Sylvers</span> III, Larkin Arnold, Pat Shields, Chrisl Rizik, Robert “Boogie” Bowles and David Nathan.</span></div>
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<span style="font-family: "arial" , sans-serif;"><em><span style="color: #3d3d3d;"><span style="font-family: "arial" , sans-serif;"><span style="font-size: 10pt;"><i><b>KEVIN GOINS is a music journalist and researcher who has authored <span class="il">liner</span> <span class="il">notes</span> for SoulMusic Records reissues by Noel Pointer, Nancy Wilson, Jerry Butler, GC Cameron, Freda Payne, Tavares, Temptations, Five Stairsteps, Main Ingredient Seawind and Ray Parker, Jr. A radio broadcasting veteran, Kevin is the host/producer of the Soulful Conversations and New Grooves Radio podcast series (<a data-saferedirecturl="https://www.google.com/url?q=http://mixcloud.com/musicmankevin&source=gmail&ust=1538704578830000&usg=AFQjCNHh2fltKVoh9xGuqOnXgo8g5C52Lg" href="http://mixcloud.com/musicmankevin" style="color: #1155cc;" target="_blank">mixcloud.com/musicmankevin</a>). He can be reached at <a href="mailto:newgroovesradio@gmail.com" style="color: #1155cc;" target="_blank">newgroovesradio@gmail.com</a></b></i></span></span></span></em></span></div>
soulninjakevin@gmail.comhttp://www.blogger.com/profile/03550433993133198934noreply@blogger.com1tag:blogger.com,1999:blog-2557090185580831968.post-9895368264940630012016-11-15T17:45:00.001-08:002016-11-15T19:09:50.259-08:00<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Hey Folks! Welcome to my first liner note entry from my archive of liners written for CD reissues! Hope you enjoy this one I've posted here, one of many I've done for SOUL MUSIC RECORDS regarding the brothers TAVARES! Read and enjoy!</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="https://www.youtube.com/watch?v=zzpXt9_DBvI" target="_blank">TAVARES "CHECK IT OUT"</a> </span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">Released in late 1973,
CHECK IT OUT marked the album debut of the brothers TAVARES on Capitol Records.
The siblings - Ralph, Pooch, Tiny, Butch and Chubby - had a few singles
released via the label in the mid-late 1960’s, when they were known as Chubby
and the Turnpikes. Upon their return to Capitol in the early 1970’s - shortly
after the company had established their Black Music Division under Larkin
Arnold - Tavares hit the ground running with the single, “Check It Out” b/w
“The Judgment Day”. Produced by Robert “Boogie” Bowles, the 45 hit the Top 5 on
the R&B charts, #30/Pop in the fall of 1973. When it came time to produce
the album, Capitol opted to hire hit maker Johnny Bristol to work with Tavares
on that effort, a decision that Bowles actually approved of. The result was at
Top 20 R&B long-player for the quintet.<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">To recap the “inside
story”, paraphrasing their 1966 Turnpikes single (!), Ralph, Perry (Tiny),
Arthur (Pooch), Antone (Chubby) and Feliciano (Butch) - along with their eldest
brothers John and Victor - all grew up in New England, listening to American
doo-wop as well as the folk music of their Cape Verde heritage. By 1963,
Chubby, Pooch, Butch and Tiny formed Chubby and the Turnpikes (Ralph was serving
his country in the US Army during this time) and started performing soul tunes
in the Massachusetts area. After he earned an honorable discharge, Ralph joined
them and they took off for New York City to audition for record labels in 1966.
“Juggy Murray had the Sue/Crackerjack labels,” explained Tiny Tavares in a 2012
phone interview. “We cut ‘Nothing But Promises’ and ‘I Know The Inside Story’
first for his company. Then, Capitol Records showed interest in those sides
after hearing them from Juggy and released them nationally.”<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">It was during their
Turnpikes years the brothers met a Southern gentleman who was studying at the
prestigious Berklee Music School in Boston, guitarist Robert “Boogie” Bowles.
“I met Tavares while playing gigs within the Boston and New Bedford area, which
helped pay for my schooling,” Robert explained in a 2014 telephone interview
from his home in Nevada. “This was during their Chubby and the Turnpikes
tenure. The group played regularly at a nightclub owned by football player Jim Nance
of the New England Patriots. A few months later, Jerry Butler came to Boston
for a gig but needed a guitarist, so I was hired for the gig. Jerry liked my
work and offered me a spot in his touring band, which included keyboardist
Sonny Burke. So, I left Berklee and Boston to move to Chicago, where Jerry was
based”.<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">While Bowles moved to
the chilly Windy City, Tavares embarked on a tour in the warmth of the Bahamas
in the late 1960’s. It was during this time the group dropped the Turnpikes
moniker for the family name. In 1973, Brian Panella - a former record promotion
man - became Tavares manager and came to the group with a proposition. “Brian
told us that Capitol had established a Black Music Division and placed company
attorney Larkin Arnold in charge,” said Chubby in a 2012 conversation. “They
were looking for acts and Brian felt it was a good idea to submit a demo.”<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">Bowles picks it up here,
from a 2015 interview - “After six and half years with Jerry Butler, I started
getting ambitious!! I wanted to do more writing and producing. So I wrote three
songs -<b> <a href="https://www.youtube.com/watch?v=iNSrPJVfygQ" target="_blank">‘The Judgment Day’</a></b>, ’I’m In Love’ and ’What Can I Do’ - and
then reached out to Ralph Tavares to see if they were interested. At that time,
the group were performing in the Bahamas and, according to Ralph, they were so
frustrated with having these gigs all over the place and no record deal, the
brothers were ready to quit the music business! So, I asked Ralph to send me a
tape from one of their live gigs and I would not only send them my three songs,
I also offered to fly them into Memphis to record at Mark XVI - a sixteen-track
studio Jerry had acquired from Isaac Hayes. When I received the tape Ralph
had sent, the one song that stood out was <b>‘Check It Out’.</b> I
loved the way they did the tune and decided to write an arrangement for the
song. I called Ralph to tell him that the brothers may have a smash with this
one. It was also in this conversation that Ralph informed me that the brothers
changed their name from Chubby and the Turnpikes to Tavares.”<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">Composed by Billy
Osborne (brother of Jeffrey) with the late Floyd Butler of the Friends of
Distinction, “Check It Out” was featured on the Friends’ 1970 album,
“Whatever”, as an uptempo tune. Tavares took a different route and turned it
into a ballad, which the Friends’ leader, Harry Elston, and his partner Floyd
(who died in 1990) admired and liked. “We dug what Tavares did with ‘Check It
Out’,” said Elston in a 2013 interview. “Our label, RCA, wanted the Friends to
stick with this uptempo bag for our tunes, even though our 1969 hit ,‘Going In
Circles’, was a million-seller AND a ballad!! We were glad Tavares made ‘Check
It Out’ a hit as a slow song, which worked.”<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">(What also should be
noted is the Billy Osborne, co-author of “Check It Out”, was an old
acquaintance of the brothers Tavares, who knew him from their years in
Providence, Rhode Island - this according to a brilliant article authored by
Rick Bellaire for the Rhode Island Music Hall of Fame Archive. The Friends’ RCA
single had left the “e” off of Billy’s last name, so the group had no idea that
was their hometown friend, until Billy showed up at the album’s release party
to congratulate them!)<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">After agreeing to record
together, Tavares and Bowles met up in Memphis - where the latter was surprised
to see that Chubby wasn‘t there. Bowles - “I asked the brothers ‘where‘s
Chubby?’ and Ralph explained that he was in the hospital, recovering from an
injury!! So, they brought their older brother, Victor, with them to record. I
had Winton Felder on bass, Sonny Burke on keyboards, the late Al Jackson on
drum (of Booker T. and the MG’s fame) and myself on guitar as the rhythm
section. So, we went in to cut ‘Check It Out’, and Victor nailed the lead vocal
on the first take!! He sounded brilliant and the brothers’ harmonies were
flawless. As a safety precaution, we cut a second take and Victor REALLY sang
his heart out on that one!! I looked over to my engineer, Steve Stepanian, and
said, ‘Dear God, we have a hit!‘ We cut the songs at Mark XVI in Memphis, sweetened
the tunes at Universal Recording in Chicago - Bruce Swedien engineered that
session. Then I mixed/mastered the tracks back at Mark XVI with Stepanian”<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">The one song from their
session that resonates for Bowles to this day is “The Judgment Day”, which was
released as the b-side of “Check It Out”. “The inspiration for ‘The Judgment
Day’ came from my upbringing in the church,” said Bowles. “My dad, mom and
family played and sung Gospel music - ‘The Old Rugged Cross’, ‘In The Garden’
were two songs we loved. So, being a spiritual person, that part of me still
remains to this day. So, when it came time to write songs for Tavares, ‘The
Judgment Day’ was one of them. Looking back, I realized the tune wasn’t really
what the industry would consider to be a ‘commercial’ song. But at that time,
it was special for Tavares and myself.”<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">Soon after ‘Check It
Out’ was released as a single, the record climbed quickly up the soul and pop
charts, peaking at #5 on Billboard’s R&B listings and #30/Pop. The success
of the record earned Tavares a guest shot on Soul Train, American Bandstand and
the Tonight Show. By this time, Chubby was back in the group, while Victor left
Tavares and relocated to the south. Capitol wanted an album right away and
Tavares were ready to have Bowles man the boards for that effort. However, the
Boogie man himself felt the timing wasn’t right for him to produce a
full-length record. Bowles - “Tavares wanted me to produce their debut album,
but I advised them to go with whomever Capitol wanted to hire for the project.
Frankly, I just wasn’t ready to produce an album because I was in the process
of relocating from Chicago to LA with the hopes of starting a production
company. But I didn’t have enough songs written and you know the music biz phrase,
‘it all begins with the song.‘ So, I advised Tavares to go with whomever
Capitol wanted to produce their album and the label’s choice was Johnny
Bristol, who had a bunch of songs to his avail, being a longtime composer,
producer and artist, dating back to his years in Detroit. He was a seasoned
music man , whereas I was just getting my act together. Capitol recognized
that, so hiring Johnny to produce Tavares’ debut album was the right move.”<o:p></o:p></span></div>
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The late Johnny Bristol was the producer/artist on the go at the time. He began
his career under the wing of Harvey Fuqua via the Tri-Phi/Harvey labels in
Detroit, moved with his mentor to Motown, composed and produced smashes for
Marvin Gaye/Tammi Terrell (“Ain’t No Mountain High Enough”, “Your Precious
Love”), Junior Walker and the All-Stars (“What Does It Take To Win Your Love”)
as well as Diana Ross and the Supremes (“Someday, We’ll Be Together” - which he
cut years prior with Jackey Beavers on Tri-Phi). By 1972, Johnny became an
in-house producer for Columbia Records - working with Boz Scaggs and Buddy
Miles. However, when Columbia frowned on the idea of him recording solo works,
Johnny left the label. "They turned me down, man, they turned me
down!" Mr. Bristol exclaimed to John Abbey in an August 1974 interview for
Blues & Soul magazine.. "You see, they had first right of refusal
because I was signed to them as a producer and any project that I involved
myself with had to be offered to CBS first". No worries, for
Johnny'signed with MGM, had the monster hit with “Hang On In There, Baby” (top
ten pop/soul smash) and started his own production company.<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">Hired by Larkin Arnold,
Capitol's Black Music chief, Johnny got right to work with Tavares for the
album sessions, which took place in the West Coast. Bristol assembled an
excellent cadre of musicians to record with Tavares. James Gadson (drums),
Bobbye Hall (percussion), Mike Melvoin and Joe Sample on keyboards, guitarists
Dean Parks, Melvin “Wah-Wah” Ragin, David T. Walker as well as Funk Brother
supreme, bassist James Jamerson. For the arrangements, studio vet H.B. Barnum
was brought in to handle the charts. <o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">As far as the song
selection, tunes came from a few Bristol-led collaborations, such as the gentle
ballad<b>“<a href="https://www.youtube.com/watch?v=vgXnwPF5V6A" target="_blank">Strangers In Dark Corners”</a></b><a href="https://www.youtube.com/watch?v=vgXnwPF5V6A" target="_blank">,</a> which Johnny recorded four years
later for the brilliant and underrated Atlantic album, “Bristol’s Crème” and
the mid-tempo <b>“<a href="https://www.youtube.com/watch?v=CXfwCWYzXWI" target="_blank">That’s The Sound That Lonely Makes</a>”</b> (Bristol
had called one of his most favorite songs he‘d composed.). In addition, Johnny
co-wrote the uptempo <b>“Wish You Were Here With Me, Mary”, “I’ll Never
Say Never Again”</b> - a short and sweet mellow track, and “<b>Let’s Make
The Best Of What We Got”.</b> The late Billy Preston wrote and first
recorded <b>“Little Girl”</b> for his second Apple Records album from
1970, “Encouraging Words”. For the CHECK IT OUT album, arranger H.B. Barnum
stayed true to the Gospel feel of Billy’s original, yet allowed Tavares to
stretch out vocally on their version, thus making this ballad a six-minute
epic. Rounding out Tavares‘ Capitol debut are <b>“If That’s The Way You
Want It</b>” and <b>“Mama’s Little Girl”</b> - written from the pens
of Dennis Lambert and Brian Potter, who’d later work with the quintet on their
albums, “Hardcore Poetry” (1974) and “In The City” (1975) as producers and
composers.<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">The CHECK IT OUT album
peaked at #20 on Billboard's R&B LP Chart, while the second single,
"That's The Sound That Lonely Makes", went to #10 on the soul singles
listings.<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">As far as Tavares’
connection with Robert “Boogie” Bowles, after the latter resettled in Los Angeles,
the two parties reunited in 1976, when former Jerry Butler colleague and Motown
producer Freddie Perren manned the boards for their “Sky High”, “Love Storm”
and “Future Bound” albums (Bowles, along with Sonny Burke, played on the
sessions for these releases). “I had moved to LA in 1974 with the goal of
setting up a production company there,” said Bowles. “However, I soon realized
that I just didn’t have the drive to write songs on a consistent level. After
landing a couple of producing gigs for folks such as Brenda Lee Eager (of Jerry
Butler’s “Ain’t Understanding Mellow” fame), I get a phone call from Freddie
Perren, who was hired by Capitol to produce Tavares’ ‘Sky High’ album. He said
that the brothers really want me to play on the session and his contractor is
going to call me to set up the date. So, after the contractor did contact me, I
hauled my amp and guitar to Paragon Studios and laid down my guitar track for
‘Heaven Must Be Missing An Angel’. After it was over, Freddie came up and said,
‘man, you’ve got a rhythm feel I like very much! We’re gonna be working
together again!’ And so, we did - for the next five years and many hits!”<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">Through the 1970’s and
into the earl 1980’s, Tavares became a powerhouse vocal group with the right
songs, arrangements, production and chops to deliver fine work, which they were
able to do effortlessly through their eight year tenure with Capitol Records
(1973-1981). With folks such as Bowles, Bristol, Perren as well as , Bobby
Martin (1979’s “Madam Butterfly), Bobby Columby (“Supercharged”, 1980) and
Benjamin Wright (“Love Uprising”,1981), Tavares had excellent “ship captains”
who helped steer the group towards many levels of success. And that journey
started with this album.<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">Check it out!!<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">KEVIN GOINS<br />
February 28, 2015<br />
New York City<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">Sources:<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">Telephone interviews
with ROBERT “BOOGIE” BOWLES (November, 2014 and February, 2015), CHUBBY TAVARES
(April, 2012) and TINY TAVARES (April, 2012).<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">A SOULFUL CONVERSATION
WITH ROBERT “BOOGIE” BOWLES (December, 2013) and A SOULFUL CONVERSATION WITH
HARRY ELSTON OF THE FRIENDS OF DISTINCTION (August, 2013). Radio interview
podcast series produced and conducted by Kevin Goins
<a href="https://www.mixcloud.com/musicmankevin/" target="_blank">(www.mixcloud.com/musicmankevin</a>).<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">Blues & Soul
Magazine interview with Johnny Bristol, August 1974. <o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">www.allmusic,com<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">www.soulwalking.co.uk<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">www.billboard.com<o:p></o:p></span></div>
<br />
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;"><br />
Thanks to Robert “Boogie” Bowles, Harry Elston, Chubby Tavares, Tiny Tavares
and David Nathan for their cooperation.<o:p></o:p></span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">Hope you enjoy these notes as it was an honor to have written them! If you like what you have read and want to see more, drop me an email at <a href="mailto:newgroovesradio@gmail.com" target="_blank">newgroovesradio@gmail.com</a>. Until next time, best regards!</span></div>
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<span style="font-family: "arial" , sans-serif; font-size: 10pt;">Kevin Goins - KevGo</span></div>
soulninjakevin@gmail.comhttp://www.blogger.com/profile/03550433993133198934noreply@blogger.com0tag:blogger.com,1999:blog-2557090185580831968.post-17007349220609398702016-11-06T15:50:00.001-08:002016-11-06T15:50:10.365-08:00<div class="MsoNormal">
<span style="font-family: "arial" , "sans-serif";">WELCOME TO A
NEW BEGINNING!!<o:p></o:p></span></div>
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<span style="font-family: "arial" , "sans-serif";">Hey Folks! I
know it’s been a LONG while since I had been doing any sort of blogging. A
couple of years, in fact! Well, I felt it was time to revive my old Blogger
page, but with a new twist Rather than focusing on music news and information, I
decided to devote this Blog to my work as a record industry liner note author. <o:p></o:p></span></div>
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<span style="font-family: "arial" , "sans-serif";">Since 1998, I’ve
written liners for several CD compilations and reissued works, starting with
Columbia/Legacy’s Earth Wind & Fire’s Greatest Hits. From there, I’ve
provided writing works for labels such as Tuff City, Funky Town Grooves,
Purpose Music Vaults and Soul Music Records. </span></div>
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<span style="font-family: "arial" , "sans-serif";">The artists whom I’ve covered
include Tavares, Melba Moore, James D-Train Williams, Booker T. Jones, Ronnie
Dyson, GQ, Audrey Wheeler, Noel Pointer, Jerry Butler, G.C. Cameron, Little
Anthony and the Imperials, Temptations, Five Stairsteps, Freda Payne, the
Sylvers, Seawind, Ray Parker, Jr. – just to name a few!<o:p></o:p></span></div>
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<span style="font-family: "arial" , "sans-serif";">Therefore,
THE KEVGO FILES, will contain the liner notes of CD releases I have done over
the past few years. Many of these notes contain quotes from interviews I had
conducted specifically for those assignments. Folks I had spoken to for these
notes were the artist or a colleague of that act if the subject is deceased
(for example, I interviewed songwriter Vinnie Barrett and producer Stan Vincent
for the reissue of Ronnie Dyson’s One Man Band album), the producers, songwriters,
record label executives and industry leaders.<o:p></o:p></span></div>
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<span style="font-family: "arial" , "sans-serif";">So, I hope
you will enjoy reading the liner notes contained in THE KEVGO FILES, as much as
I enjoy writing them. A labor of true
love, indeed. </span></div>
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<span style="font-family: "arial" , "sans-serif";">Thanks!<o:p></o:p></span></div>
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<span style="font-family: "arial" , "sans-serif";">Kevin<o:p></o:p></span></div>
soulninjakevin@gmail.comhttp://www.blogger.com/profile/03550433993133198934noreply@blogger.com0tag:blogger.com,1999:blog-2557090185580831968.post-28198104111174230612014-08-20T16:36:00.000-07:002014-08-20T16:36:26.067-07:00AUGUST 20, 2014<span style="font-family: Arial, Helvetica, sans-serif;">Hey, folks! Thanks for checking out another edition of the KGMJ! Been busy taking care of biz but wanted to share a few new developments with you, starting with......</span><br />
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<span style="font-family: Arial; font-size: x-large;">THE FORMATION OF THE KEVIN GOINS ORGANIZATION</span><br />
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<span style="font-family: Arial;">The screen-shot says it all, gang. Put together the webpage last weekend which will serve as an online business card for the music management, consultation and administrative company I have. If y'all want to bookmark the page, click here - <a href="http://kevingoins.wix.com/kevingoinsorg" target="_blank">THE KEVIN GOINS ORGANIZATION</a></span><br />
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<span style="font-family: Arial; font-size: x-large;">MEET BROOKE McROBERTS</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioZsi6rnq-LX4wgvUWUDn4_THxuq4P0goxSHRYfqor9gbWsjkT3SuIMOrQrGLgYn4ZZwIPh84O_JDAZ8wuYFn4YgXcll_U4cF9JXgpA75kSresfA3-x_m4VdTy9M_Nc3xyJCBuirpupw6Y/s1600/brooke+mcroberts.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioZsi6rnq-LX4wgvUWUDn4_THxuq4P0goxSHRYfqor9gbWsjkT3SuIMOrQrGLgYn4ZZwIPh84O_JDAZ8wuYFn4YgXcll_U4cF9JXgpA75kSresfA3-x_m4VdTy9M_Nc3xyJCBuirpupw6Y/s1600/brooke+mcroberts.jpg" height="319" width="320" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Brooke is a singer/songwriter whom I'm consulting for marketing and promotions via my company, the Kevin Goins Organization. Her latest independently-released album, "Listen", was produced by my old college bud, James A. Manno</span><span class="text_exposed_show"><span style="font-family: Arial, Helvetica, sans-serif;"><br /></span><span style="font-family: Arial, Helvetica, sans-serif;">She hails from the Midwest, earned her stripes here in the Big Apple on stage as well as in concerts and has developed a nice following as a result. Her album is filled with inspirational-flavored tunes that many can enjoy. <br /><br /> Brooke's "Listen" is available via Amazon, iTunes and CD Baby. Check out this tune from the album, a great wedding song called "HERE IN THIS MOMENT".</span><br /><a href="https://soundcloud.com/brookenycsf/here-in-this-moment-full-song" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif;">https://soundcloud.com/brookenycsf/here-in-this-moment-full-song</span></a></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">The man who brought us "Life As A Ballad" (and another client of the Kevin Goins Organization) was interviewed by the British Ambassador of Soul himself, music journalist DAVID NATHAN for SOULMUSIC.COM. They talk about Abiah's work over the years, his upcoming album as wel<span class="text_exposed_show">l as a tune he contributed to David Nathan's Global Music Unites project (not available on any other album!). Listen in and enjoy - </span></span><span style="font-family: Arial, Helvetica, sans-serif;"><span class="text_exposed_show"><a href="http://www.soulmusic.com/Pages/Article/AudioAsset.asp?Asset=35186" target="_blank">ABIAH INTERVIEW WITH DAVID NATHAN</a></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span class="text_exposed_show">Thanks again for checking out the KGMJ!! If you'd like to be added to my email list for updates and such, let me know!! The address is <a href="mailto:kevingoins@juno.com">kevingoins@juno.com</a>. Take care!!</span></span></div>
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</span></span>soulninjakevin@gmail.comhttp://www.blogger.com/profile/03550433993133198934noreply@blogger.com0tag:blogger.com,1999:blog-2557090185580831968.post-36255430307448415342014-06-10T17:49:00.001-07:002014-06-10T18:02:43.483-07:00<div>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">I’M BACK!!!!</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Hey Folks! I know it’s been a mighty long time (shoo-bop-shoo-bop, my baby…sorry, couldn’t resist!) since my very last entry here on the KGMJ. Hell, it’s been practically a YEAR when I made my last posting. A lot has been going on thanks to my venture into the wonderful world of music management and consulting. Been working with a few great independent artists on the scene who are making some SERIOUS music and getting their tunes to the masses. You’ll get to meet them as the KGMJ rolls on a monthly basis. I do plan on setting up direct email to those who’d like to get updates on a weekly basis. So, if you’re interested, drop me a line at kevingoins@juno.com and you’ll receive them. Let’s get on with KGMJ, starting on a somber note.</span></div>
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<span style="background-color: white; color: #37404e; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 20px;"><span style="font-size: x-large;">FAREWELL, BOB ABRAHAMIAN</span></span></div>
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<span style="font-size: large;"><span style="background-color: white; color: #37404e; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 20px;">A comrade-in-arms within the world of music research</span><span style="background-color: white; color: #37404e; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 20px;">. </span><span style="background-color: white; color: #37404e; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 20px;">During his 35 years with us, Bob Abrahamian's work is massive. A young man who dove into record collecting in his native Chicago thanks to hearing classic</span><span class="text_exposed_show" style="background-color: white; color: #37404e; display: inline; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 20px;">s being sampled, Bob took this passion quantum leaps further. He not only collected literally thousands of recordings, Bob became a researcher in the area of Chicago soul music. Via his weekly WHPK-FM radio series, "Sitting In The Park" (yes, named after the Billy Stewart hit from 1965), Bob featured the artists and their music. </span></span></div>
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<span class="text_exposed_show" style="background-color: white; color: #37404e; display: inline; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: large; line-height: 20px;"><br />Bob expanded his collection to publicity photos, concert posters and radio station charts. Most importantly - he cast light to Chicago soul artists who may not have had hits outside the Windy City but had a tremendous impact within their own backyard. Thanks to his archiving, Bob became one of many go-to folks when record companies such as the Numero Group needed an old picture still from a Regal Theater show or recording session notes.<br /><br />Bob became a friend to several of us music collectors, including yours truly. When he and I communicated via the Soulful Detroit Forum site, Bob shared a ton of information that helped me within my work as a liner note writer and reissue consultant. His radio series was one of many things that inspired me to launch SOULFUL CONVERSATIONS in 2012 and for that, I appreciate Bob's support.<br /><br />But here's the point of this post and forgive me if it reads like I'm rambling. Bob's cause of death last Thursday (June 5th) was suicide, prompted by years of depression. In a note he left behind, Bob said that he felt as if his life's work didn't matter.<br /><br />Like hell it didn't.</span></div>
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<span class="text_exposed_show" style="background-color: white; color: #37404e; display: inline; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: large; line-height: 20px;"><br /></span></div>
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<span class="text_exposed_show" style="background-color: white; color: #37404e; display: inline; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: large; line-height: 20px;">Tell that to the many older artists whom he helped over the years, those who felt as if the public had forgotten all about them. Bob did more than document their life's work - he assisted them in many other ways possible. Teaching computer skills, running errands on their behalf, spending time listening to their stories. But more importantly - Bob helped document their HISTORIES so that the public will remember and never forget.<br /><br />I will miss his FB postings and the knowledge he shared over the years. All I can say to conclude is to please let those in your lives know that they are appreciated, respected and loved. And don't wait to tell them, do it TODAY.<br /><br />Thank you. Bob, for being there for this fellow musicologist and friend. You and your work WILL be remembered.<br /><br />For more on Bob, here's his obituary from the Chicago Sun-Times with a link at the bottom to the last segment of "Sitting In The Park".</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">THE RAJDULARI EXPERIENCE!!</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">A lot has been happening with this powerhouse curvy girl since she was last featured here on the KGMJ! Three sold out shows here in NYC, a successful tour of the UK and France (with another European jaunt planned for late June of this year), the release of her sophomore album, “JOURNEY OF A WOMAN" (pictured above) earlier this year. But rather than go on and on, let’s go to her last press release...</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">- "JOURNEY OF A WOMAN" entered BILLBOARD’S TOP 200 R&B ALBUM CHART at #95 and the Top 200 R&B/HIP-HOP ALBUM listings at #153</span></div>
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<span style="font-size: large;">- Topped the UK’S STARPOINT RADIO SOUL CHART for THREE CONSECUTIVE WEEKS (March 6th-20th)</span></div>
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<span style="font-size: large;">- THREE AND A HALF STARS OUT OF FOUR in DOWNBEAT MAGAZINE (May 2014)</span></div>
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<span style="font-size: large;">- FIVE STARS in HARLEM TRENDS MAGAZINE</span></div>
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<span style="font-size: large;">- RECOMMENDED by SOULTRACKS.COM (February 2014)</span></div>
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<span style="font-size: large;">Here’s what folks have said about “JOURNEY OF A WOMAN”…..</span></div>
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<span style="font-size: large;">“’Journey Of A Woman’ has an uplifting tone that should bring new life to the neo-soul movement” - Downbeat Magazine</span></div>
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<span style="font-size: large;">“Rajdulari takes the listener on a melodic ride…filled with expressive and welcomed twists and turns. ‘Journey Of A Woman’ is one blessing worth listening to.” - Soul Train.com</span></div>
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<span style="font-size: large;">“Rajdulari’s ‘Journey Of A Woman’ commands the listener’s attention (with) musicality and confidence.” - Urban Music Scene</span></div>
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<span style="font-size: large;">“JOURNEY OF A WOMAN” is featured on Bob Baldwin’s syndicated radio series, NEW URBAN JAZZ LOUNGE. Album in rotation at WVSU-FM (Birmingham, AL) as well as the UK’s STARPOINT RADIO and JAZZ FM. </span></div>
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<span style="font-size: large;">Video for the single, “NATURAL”, now has over 10,000 views.</span></div>
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<span style="font-size: large;">What more can be said?? Oh yeah, BUY HER LATEST ALBUM!!! Available via her website - <a href="http://rajdulari.com/" target="_blank">http://rajdulari.com/</a> - as well as Amazon, CD Baby, iTunes and fine retailers such as the following….</span></div>
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<span style="font-size: large;">SOUND OF MARKET (Philadelphia)</span></div>
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<span style="font-size: large;">As mentioned before, Rajdulari will be performing in Paris and London in June and July! Watch out for her, Europe!! She can't wait to share her journey with you again!!</span></div>
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<span style="font-size: large;">Here's a behind the scenes peek at a studio session for JOURNEY OF A WOMAN....</span></div>
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<span style="font-size: large;">Thanks so much for checking out the latest KGMJ and look out for more to come in 2014!! If you like what you see and hear, feel free to share this with a friend or colleague. Take care and be well!</span></div>
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soulninjakevin@gmail.comhttp://www.blogger.com/profile/03550433993133198934noreply@blogger.com1tag:blogger.com,1999:blog-2557090185580831968.post-71044194233181896942013-06-30T18:08:00.001-07:002013-06-30T18:08:45.683-07:00<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">KGMJ - JUNE 30, 2013</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Hey Folks! I know it’s been over a month since I last posted here. Been busy with many projects so let’s get on with the latest report!</span><br />
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<span style="font-size: x-large;"><span style="font-family: Arial, Helvetica, sans-serif;">A TRIBUTE TO MOTOWN LEGEND BARRETT STRONG - CUTTING ROOM, NYC (6/22/13</span><span style="font-family: Arial, Helvetica, sans-serif;">)</span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Legendary composer/singer BARRETT STRONG was honored with a benefit concert that took place here in the Big Apple on Saturday, June 22nd at the Cutting Room. Produced by Motor City rock/blues siren (and Barrett’s protegee) Eliza Neals and emceed by yours truly, performers such as The Fellas, Judd Harris, Danni Gee, Julien, Lizz Kristi, Steven Feifke, Sal Carolei, Tyrone Smith, Jent La Palm, Michael Galante, Shane Visbal, Debra Devi, Paul Orbel, Chris Ams along with Drew Schultz’s Funk Machine and Ms. Neals gave a rousing show highlighting Barrett’s soul classics (“Money - That’s What I Want”, “Papa Was A Rolling Stone”, “Ball Of Confusion”, “Just My Imagination - Running Away With Me”, “I Wish It Would Rain”, “I Heard It Through The Grapevine”). An audience Q&A took place as well as an award presentation from the R&B Music Hall of Fame Museum, which inducted Barrett this year. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">The show was a near-sell out with all proceeds going towards Barrett’s medical concerns. A great night that honored a great man of music!</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">BROOKLYN (NY) CONCERT SERIES</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7MN_gtJ132cvkugqSUipBV3VJ5ZDDzWfZ1HZopWIeXsq4mgfAVW28mCF04i2aGKCf3SQtexo-Gz7oJhmDP_Ipsz4uSMLw0IbhfKY-GV738t-dPJEeoRz0WhxwmTdq2Fue8DVwuD9QGnXy/s600/Brooklyn_Concert_2013_(4).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7MN_gtJ132cvkugqSUipBV3VJ5ZDDzWfZ1HZopWIeXsq4mgfAVW28mCF04i2aGKCf3SQtexo-Gz7oJhmDP_Ipsz4uSMLw0IbhfKY-GV738t-dPJEeoRz0WhxwmTdq2Fue8DVwuD9QGnXy/s320/Brooklyn_Concert_2013_(4).jpg" width="240" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">What do GLADYS KNIGHT, TONI BRAXTON, BABYFACE, CHICAGO, HUEY LEWIS & THE NEWS, CHEAP TRICK, THE O’JAYS, THE GO-GO’S, TOM TOM CLUB, CHEAP TRICK, SMOKEY ROBINSON, BIG DADDY KANE, RAKIM, MIGHTY SPARROW and MARVIN SAPP all have in common? They’ll be in Brooklyn NY in July and August as part of the BROOKLYN CONCERT SERIES, being held this summer! Two locations will hold these events - Coney Island and Wingate Field. And guess what - the shows are FREE!!! Check out the flyer and log onto <a href="http://www.brooklynconcerts.com/" target="_blank">http://www.brooklynconcerts.com/</a> for more information as well as directions to the venues. If there’s one place you gotta be in NYC, it’s Brooklyn, baby!!</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">RAJDULARI AT THE IRIDIUM, SATURDAY JULY 27TH, NYC.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Singer, songwriter and proud-as-hell “curvy girl” RAJDULARI will bring her brand of contemporary R&B/soul and jazz to the Iridium near Times Square in NYC on Saturday, July 27th. Born in Michigan and raised in Boston, Rajdulari cut one independent release in 2011 (“HoneyWine”) and is working on a new album, “Journey Of A Woman”, Her latest single, “Natural”, has earned over 4,500 spins on You Tube and is available for download purchase via iTunes. In addition to earning awards in the area of soul and jazz in her hometown and New England area, Rajdulari is also a successful plus-size model for fashion magazines and runway work. She’ll be doing two shows at the Iridium on Saturday night (8pm and 10pm) so click the link and make your reservations soon (<a href="http://theiridium.com/events/1853/rajdulari/" target="_blank">http://theiridium.com/events/1853/rajdulari/</a>). Meantime, take a look and listen to her single, “Natural”.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">A SOULFUL CONVERSATION WITH MARVIN SMITH OF THE ARTISTICS</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAk2vXRmC6TiQhonpJlqeOVuxj_DLLL4eYviRi8Eo6ytqtWidOuoUVMf-5OGyEO_Fi7JE5hcIveZ6vg2gVOukSLbyT6TSlhBCid5fo8EusMeSEvOVtMO3J3pGSYhOg4vDBL2ecuwS0NOKs/s433/CG+Marvin.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAk2vXRmC6TiQhonpJlqeOVuxj_DLLL4eYviRi8Eo6ytqtWidOuoUVMf-5OGyEO_Fi7JE5hcIveZ6vg2gVOukSLbyT6TSlhBCid5fo8EusMeSEvOVtMO3J3pGSYhOg4vDBL2ecuwS0NOKs/s320/CG+Marvin.jpg" width="268" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha9LbFMlM97HrZnvH35LKcGtu9e6EVdrCO2f96Ht4HE6irzmxsTCcA6DArZ-q85XVV_RQDdeQReAP9apFKy8IIwk_sWtcIh0fhZGmDsWWlyfowd61_pUuJnSkV3FuIrj6FpTbMwtzfV1rE/s300/6b4cb460-fc77-4672-9ec9-50a0d1ebdea6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha9LbFMlM97HrZnvH35LKcGtu9e6EVdrCO2f96Ht4HE6irzmxsTCcA6DArZ-q85XVV_RQDdeQReAP9apFKy8IIwk_sWtcIh0fhZGmDsWWlyfowd61_pUuJnSkV3FuIrj6FpTbMwtzfV1rE/s300/6b4cb460-fc77-4672-9ec9-50a0d1ebdea6.jpg" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">During the golden era of Chicago soul (mid-1960s to late 1970s), very few acts from the Windy City had the type of career that MARVIN SMITH had enjoyed. He and THE ARTISTICS cut many solid sides for the Okeh and Brunswick labels such as “This Heart Of Mine” and “I’m Gonna Miss You”. As the latter tune hit the Top Ten of the R&B charts in 1966, Marvin recorded his first solo side, “Time Stopped” -which earned him a guest shot on American Bandstand. He joins us for this SOULFUL CONVERSATION about his work with the Artistics, producer Carl Davis, the great Curtis Mayfield as well as the solo tunes he has available today.</span></div>
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<a href="http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-marvin-smith-of-the-artistics/" target="_blank"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-marvin-smith-of-the-artistics/</span></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">A SOULFUL CONVERSATION WITH AL GORGO</span><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">NI</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">In 1958, AL GORGONI was hired to produce and play guitar on demos for the Aldon Music Publishing Company, which was co-owned by Don Kirshner and Al Nevins. He went on to become a top-notch session guitarist, contractor, arranger, composer and producer - working with giants such as Carole King, Neil Diamond, Van Morrison, Cissy Houston and the Sweet Inspirations, Jeff Barry, Ellie Greenwich, B.J. Thomas, Barry Mann, Cynthia Weil and Chip Taylor. He’s in the process of producing a documentary based on his career and the period of time known to many as The Brill Building Era. Al took a break from his work to join us for this SOULFUL CONVERSATION about his career, which gives us an inside look at how many great rock & roll classics were created.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><a href="http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-al-gorgoni/" target="_blank">http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-al-gorgoni/</a></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">THAT’S ALL…FOR NOW!!!</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Tune in next time when I’ll have even more music biz news, info and SOULFUL CONVERSATIONS. Take care, be well and thanks so much for reading!!</span><br />
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soulninjakevin@gmail.comhttp://www.blogger.com/profile/03550433993133198934noreply@blogger.com75tag:blogger.com,1999:blog-2557090185580831968.post-69229321780335762492013-05-28T19:11:00.000-07:002013-05-29T12:55:31.186-07:00<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">KGMJ - MAY 28, 2013</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Hey folks! Thanks for checking out this new edition of the KGMJ as we roll from spring into summer. Can’t believe this year has gone by so quick so far! We’ve got three great audio interviews posted here with Harry Elston from the Friends of Distinction, singer Beverly Bremers and producer/arranger/Chicago soul legend Willie Henderson. But first, we remember this music great who has left us recently….</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">TRIBUTE TO A STAIRSTEP - CLARENCE BURKE, JR.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Saturday, May 25th should have been a joyous day for this soul/pop legend who turned 64 years old that day. Sadly, the following morning, word came from his younger brother, Keni Burke, that this great music man had passed away.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">CLARENCE BURKE, JR. of the Five Stairsteps, died on Sunday, May 26th. He was the group’s chief songwriter, lead vocalist and guitarist during their reign on the soul and pop charts. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">While millions of fans remember the Stairsteps for the classic, “Ooh-Child”, their Top 10 platinum pop smash from 1970, what gets obscured by the mainstream media is the songwriting and production prowess of big brother, Clarence, Jr. For those who have already read and know about his great gifts, forgive the didactic “history lesson” that’s about to take place.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">The second oldest of the Burke family from Chicago, Illinois, Clarence, Jr. showed his skills quite early on. With his school chum Greg Fowler, Clarence penned several tunes that became big R&B hits for the Five Stairsteps between 1966 and 1968. “World Of Fantasy”, “Come Back”, “You Don’t Love Me”, “You Waited Too Long”, “The Girl I Love” and the moody favorite, “Danger! She’s A Stranger”. What made these songs so intriguing is that Clarence’s and Greg’s writing reflected a maturity that was not common in many teen-oriented tunes of that time. Their approach to love and romance with its ups and downs went beyond the “ooh-baby-I-love-you” theme to discuss things such as taking a chance with someone you may not know (“Danger! She’s A Stranger”) to the pull-no-punches “You Don’t Love Me”. Mind you, Clarence had composed these gems before he graduated from the prestigious Harlan High School in the Windy City.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">In regards to Clarence’s vocal delivery, check out the clip of the Stairsteps on Dick Clark’s “Where The Action Is” from the summer of 1966 (where they performed their hits while rocking on a pontoon near a lake). Yeah, they were lip-syncing but forget that for a minute and see how Clarence delivers his performance. Talk about smooth! He was definitely channeling the greats while expressing himself in song. Think Jerry Butler, Smokey Robinson and Sam Cooke all rolled up into one.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Finally, there was Clarence, Jr. the producer. The group’s underrated (and criminally unreissued) 1977 album, “2nd Resurrection” wasn’t the first time he was behind the studio console manning the boards. Clarence did that back in 1968 for the Stairsteps’ second album, “Our Family Portrait” (released on Buddah Records). He worked closely with veteran arranger Johnny Pate as well as the family patriarch, Clarence, Sr. (a/k/a “Papa Stairstep”), to create a great record. “Our Family Portrait” was indeed the shape of things to come from Clarence, Aloha, Dennis, James and Kenneth (“Keni”). The guidance he received from Pate, Papa and the late Curtis Mayfield served Clarence well when he went on to produce “2nd Resurrection” as well as the recordings with the Invisible Man’s Band (which, fortunately, are available on CD and for download).</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">For those who haven’t heard of these works from the mid-late 1960‘s, I highly suggest you pick up the CD collection, “The First Family Of Soul - The Best Of The Five Stairsteps”, that was issued via BMG/Buddha Records over ten years ago. Another one is “The Complete Curtis Mayfield Years” from the folks at Outta Sight Records, which covers the Stairsteps’ debut album on the Windy C label as well as 1969’s release, “Love’s Happening” (first released on Curtom Records). Songs from “Our Family Portrait” (“Something’s Missing”, “A Million To One”, “Under The Spell Of Your Love”) can be found on various compilations and iTunes.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Here’s the clip of the Stairsteps performing “World Of Fantasy” from 1966. Farewell, Clarence - and thank you for the music. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">IN THE GROOVE WITH KEVIN GOINS</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">A couple of weeks ago, I launched a new Internet radio program devoted to R&B, jazz, soul, pop, dance and Latin sounds for “grown folks” called IN THE GROOVE. How best to describe it? Simple - music that’s not too fast or slow, just down the middle and all good! The show is available via Mixcloud and it will be a bi-weekly program. Check out this recent IN THE GROOVE where I paid tribute to Clarence Burke, Jr., the Five Stairsteps as well as other great acts that I call the groups of “teen soul." Click the link and enjoy! </span><a href="http://www.mixcloud.com/musicmankevin/in-the-groove-tribute-to-clarence-burke-jr5-stairstepsteen-soul/" style="font-family: Arial, Helvetica, sans-serif;" target="_blank">http://www.mixcloud.com/musicmankevin/in-the-groove-tribute-to-clarence-burke-jr5-stairstepsteen-soul/</a><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">A SOULFUL CONVERSATION WITH HARRY ELSTON (FRIENDS OF DISTINCTION)</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Forty-five years ago, Harry Elston, Jessica Cleaves, Barbara Love and the late Floyd Butler formed one of pop/soul’s enduring vocal groups of the era - the Friends of Distinction. From the get-go, they scored a hit with their classic version of “Grazing In The Grass” (a #1 pop/soul instrumental for Hugh Masekela). Other smashes followed - “Going In Circles”, “Love Or Let Me Be Lonely”, “Time Waits For No One” - as well as great album cuts such as “I Really Hope You Do” (Grazin’) and “Lady Mae” (Real Friends). Actor Will Ferrell included the Friends’ “Grazing In The Grass” in the 2004 hit movie, “Anchorman - The Legend Of Ron Burgundy” and the tune makes another appearance in the trailer for the upcoming “Anchorman 2”. Harry joined us for this SOULFUL CONVERSATION about the group’s career and successes. <a href="http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-harry-elston-friends-of-distinction/" target="_blank">http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-harry-elston-friends-of-distinction/</a></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: large;">THE KGMJ REPORT - POP TALK WITH BEVERLY BREMERS</span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; text-align: center;">In 1971,while starring in the Broadway smash musical, "The Me Nobody Knows," BEVERLY BREMERS scored a Top 20 hit with “Don’t Say You Don’t Remember”, a tune that was reminiscent of the girl-group sound from the early 1960’S. While she did score two more smashes after “Remember” hit, Beverly was signed to Scepter/Wand Records, which had just lost two hit makers - Dionne Warwick and B.J. Thomas - to major labels and the company was on the verge of closing their doors for good. From there, Beverly went to Columbia Records with little to no success but was able to create a new career doing voice-overs and composing. She hit pay dirt when the music she wrote for Disney’s “Mousercise” album helped the record sell over a million copies. We caught up with Beverly at her home in L.A. for a POP TALK to discuss her work.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://www.mixcloud.com/musicmankevin/kevin-goins-music-report-beverly-bremers/" target="_blank">http://www.mixcloud.com/musicmankevin/kevin-goins-music-report-beverly-bremers/</a></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">A SOULFUL CONVERSATION WITH WILLIE HENDERSON</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Producer/arranger/session leader/sax man WILLIE HENDERSON joins us for a SOULFUL CONVERSATION about his career and work. The hits he produced for Tyrone Davis ("Turn Back The Hands Of Time", "Can I Change My Mind"), the many sessions that utilized his talents (too numerous to mention here), the Brunswick/Playboy recordings he made and his near-move to Motown Records (yes, Mr. Henderson came mighty close to joining the Sound of Young America in the early 1960’S!) - all covered in one great interview. Tune in and enjoy! </span><a href="http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-willie-henderson/" style="font-family: Arial, Helvetica, sans-serif;" target="_blank">http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-willie-henderson/</a><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">FINALLY…</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">One year ago this month (May), I made my transition back to New York City after living in the Northwest Wisconsin/Minnesota area for several years. It was a move that was needed and not at all regretted. After some bumps in the road (many moves before settling here in Brooklyn, health issues and a witch of storm named Sandy), things have definitely been on the upswing. I’d like to thank you all for bearing with me as I finally settled into a groove that is working well. Here’s to the rest of 2013 and tune in next month for another edition of the KGMJ!</span><br />
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soulninjakevin@gmail.comhttp://www.blogger.com/profile/03550433993133198934noreply@blogger.com1tag:blogger.com,1999:blog-2557090185580831968.post-78078830281056857192013-05-20T23:46:00.001-07:002013-05-21T00:01:53.280-07:00<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">KGMJ - MAY 21, 2013</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Hey folks! Thanks for stopping by this edition of the KGMJ. Lots to talk about this time around including two new SOULFUL CONVERSATIONS, so let’s get right to it!</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">ZONGO JUNCTION</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">This Brooklyn-based band calls their music Afro-Beat. I say they combine the best of the J.B.‘S, Santana and Tower of Power . Funky rhythms, cool organ riffs and thunderous percussion anchor a killer six piece horn section and as well as two guitarists. In other words, their sound is BIG, LOUD and ALL GOOD!! Zongo Junction just wrapped up a three-week gig at NYC’S Bowery Electric so be sure to check them out when they come to your area. In the meantime, click the link and enjoy their performance of “TUNNELBAR”. <a href="http://www.youtube.com/watch?v=A5NwTmZWOA8" target="_blank">http://www.youtube.com/watch?v=A5NwTmZWOA8</a></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large; text-align: center;">SOULTRACKS’ 10TH ANNIVERSARY CELEBRATION AT DROM-NYC (5/25/13)</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Ten years ago, Detroit-based venture capitalist Chris Rizik launched a website- SoulTracks.com - devoted to soul and R&B. It was a passion and a labor of love that within the next few years grew into one of top sites to read and hear about soul music from all corners of the spectrum - classic, contemporary, domestic, international, released by major labels and independent companies. On Saturday, May 25th, the good folks behind Soul Factory Presents at DROM-NYC in lower Manhattan will pay tribute to SoulTracks.com with performances by the legendary Force MD’S as well as Angela Johnson and Russell Taylor. Check out the flyer for info regarding reservations and click the link to view the SoulTracks site! <a href="http://www.soultracks.com/" target="_blank">http://www.soultracks.com/</a></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">A SOULFUL CONVERSATION WITH RAHIEM OF THE FURIOUS FIVE</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Over 30 years ago, Grandmaster Flash and the Furious Five brought us hits such as “The Message” and “White Lines”, among others. The group became the first rap/hip-hop act to be inducted into the Rock & Roll Hall of Fame along with their classic, “The Message”, being entered into the Registry of the Library of Congress as being one of the influential musical pieces that impacted American society. I caught up with RAHIEM of the Furious Five recently for this SOULFUL CONVERSATION </span><a href="http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-rahiem-of-the-furious-five/" style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;" target="_blank">http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-rahiem-of-the-furious-five/</a><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">A SOULFUL CONVERSATION WITH B.G. RHULE</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">On December 7, 1964, singer Sam Cooke was shot and killed in a Los Angeles area hotel. It was documented that he was killed in self-defense by the manager of the establishment but through the years many have suspected foul play. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Author B.G. Rhule has revealed in her latest book, </span><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">“One More River To Cross - The Redemption of Sam Cooke”</span><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">, that the music legend’s death was indeed the result of circumstances that point to a certain insider within Mr. Cooke’s camp - a person that was very close to seeing dismissal from their employ. Never before seen autopsy reports and photos in the book show that Sam was brutally beaten with blows that indicate more than just being hit with a broom by the hotel proprietor. Check out this SOULFUL CONVERSATION with Ms. Rhule and hear for yourself. <a href="http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-author-bg-rhule/" target="_blank">http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-author-bg-rhule/</a></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">MEMORIAL SERVICE HONORING THE LATE DR. DONALD BYRD, NYC (5/7/13)</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Musicians, colleagues, loved ones and fans paid tribute to the departed jazz horn legend/educator/leader on May 7th at Harlem’s Abyssinian Baptist Church. It was a night of excellent music and remembrances from Donald Byrd III, Herbie Hancock, Nat Adderley, Jr., Najee, Bobbi Humphrey, Kevin Toney of the Blackbyrds, Johnny Kemp, Don Mizell, Wallace Roney, Cyrus Chestnut, Maurice Brown, Poogie Bell, Jeremy McDonald, Jimmy Owens, Doc Gibbs, Clifford Adams, Keith Robinson, the Koka Strings Ensemble, Onaje Allan Gumbs, members of the Abyssinian Church Choir, the Reverend Calvin Butts III and the man who organized the whole event, keyboardist/composer Alex Bugnon. Enjoy the pics!</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Herbie Hancock</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Bobbi Humphrey</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Alex Bugnon</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Abyssinian Choir (Johnny Kemp, top row - third from right)</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Herbie and Alex</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Cyrus Chestnut blowin' his horn</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Record label executive Don Mizell, whose late brothers (Larry & Fonce) collaborated with Donald Byrd.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Musicians performing "Places & Spaces"</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Najee on the flute</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Najee, Bobbi with Jimmy Owens on flugelhorn</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">The Rev. Dr. Calvin Butts III, pastor of Abyssinian Baptist Church</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Wallace Roney on trumpet w/Alex </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Wallace, Bobbi, Najee, Jimmy and company</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Look out for the next KGMJ as we kick off the summer featuring a SOULFUL CONVERSATION with Harry Elston, founder of the Friends of Distinction, as well as a KGMJ INTERVIEW with singer/songwriter Beverly Bremers (“Don’t Say You Don’t Remember”) - two best examples of sunshine soul and pop! Until then, share any feedback you have in the comments area below or stop by my Facebook page. You can even drop me an email to kevingoins@juno.com. Take care, thanks for reading and listening!</span><br />
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soulninjakevin@gmail.comhttp://www.blogger.com/profile/03550433993133198934noreply@blogger.com0tag:blogger.com,1999:blog-2557090185580831968.post-36398237212410178662013-04-27T15:55:00.001-07:002013-04-27T15:55:20.146-07:00KGMJ - APRIL 27, 2013<span style="font-family: Arial, Helvetica, sans-serif; text-align: center;">Hey there! Thanks for checking out this latest edition of the KGMJ! Lots of stuff happening now that spring is in full bloom. Concerts, club gigs, music series - you name it! Before we dive into the posting, I just want to thank all of those who have read the KGMJ and posted your feedback via Facebook, Twitter, emails and phone calls. Greatly appreciate any and all input!</span><br />
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</span><br /><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">CLAUDETTE ROBINSON (THE MIRACLES)</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">First of all, I must thank my dear friend and comrade Dillon Fred Gorman for making this happen (his late father, Freddie Gorman, was the man who brought us classics such as “Please Mr. Postman”, “Just Like Romeo & Juliet” and co-founded the Originals of “Baby I’m For Real”/”The Bells”). As many of you know, MOTOWN - THE MUSICAL is running on Broadway here in NYC and has been packing in the house at the Lunt-Fontanne Theater. Prior to its official launch, many Motown folks (correction - a LOT of Motown folks!) were here for the previews so when Dillon called me up so we could meet and catch up, I took the offer (BTW - I haven’t seen the show yet and I’ve heard great things so far about the musical). I walked into Valerie Simpson’s Sugah Bar Restaurant where I saw Dillon, his mother, many of Mr. Gordy’s executives from back in the day, Montez Payton (the son of the Four Tops’ co-founder, the late Lawrence Payton) and THIS legend was at the table! </span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; text-align: center;">Claudette Rogers Robinson co-founded the Miracles in 1957 with Warren “Pete” Moore, Bobby Rogers, Ronnie White, guitarist Marv Tauplin and then-husband Smokey Robinson. Mrs. Robinson recorded and toured with the group until 1965, when she left the road to have a family with Smokey (she still sang on the their recording sessions). After children Berry and Tamla was born, Claudette raised the kids while Smokey embarked on a solo career when he wasn’t at the Motown office (he was the label’s corporate vice-president). Smokey and Claudette were husband and wife until 1987, when the two divorced.</span><br />
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<span lang="EN"><span style="font-family: Arial, Helvetica, sans-serif;"><br /></span><span style="font-family: Arial, Helvetica, sans-serif;">What can be said about Mrs. Robinson? (Pictured here with Smokey, Pete, Bobby and Ronnie in 1971). First of all, she has a great set of pipes as evidenced by the recordings she made with the Miracles. In fact, there are many sides that feature Claudette on lead vocals. Second, she is absolutely stunning! A radiant smile with a warm personality to match. Claudette has seen her share of the good, bad and otherwise in the music biz and I hope that someday she will write a book about her life’s work.</span><br /><span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></span><br />
<span lang="EN" style="font-family: Arial, Helvetica, sans-serif;">As many of you know, I’ve been a Motown fan ever since I can remember thanks to my elder siblings (they had the records!). To finally meet a legend such as Claudette Robinson was indeed an honor and a privilege. A moment that will always be treasured.</span><br />
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<span lang="EN"><span style="font-family: Arial, Helvetica, sans-serif;"><br /></span><span style="font-family: Arial, Helvetica, sans-serif;">Thanks again to Ms. Claudette Robinson, Dillon Fred Gorman (left) Montez Payton (right), Mrs. Gorman and the many folks there who made this moment a night to remember. Check out Claudette taking lead on this rare Miracles single released on the Tamla label in 1960, "After All" (Video that accompanied this tune assembled by fellow Soulful Detroit Forum colleague, Shelly "SoleMann" King. Color photos courtesy of Dillon Fred Gorman. Black and white photo courtesy of Johnson Publications).</span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">SESSIONS @ STUDIO 58 TV</span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; text-align: center;">Launched by music entrepreneur Elliott James, this Sunday night series of live, acoustic soul/R&B shows in the Brick City (uh, Newark NJ, that is!) have brought the best performances from today’s great independent acts. So far, artists such as Angela Johnson, Elijah Bland and Grammy Award winner Gordon Chambers have graced the Sessions @ Studio 58 TV stage. The performances are streamed live on the Internet with video clips posted after the shows. We caught up with series founder/producer Elliott James to discuss Sessions @ Studio 58 TV, the artists who appeared and those will be there in the future. Click the link and check out this SOULFUL CONVERSATION with Elliott!</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-elliott-james-sessions-studio-58-tv/" target="_blank">http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-elliott-james-sessions-studio-58-tv/</a></span><br />
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</span><br /><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">A SOULFUL CONVERSATION WITH BRUCE HAWES</span></span><br />
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<span lang="EN"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span><span style="font-family: Arial, Helvetica, sans-serif;">Composer, arranger, producer, engineer. These are just a few of the many hats worn by the great Bruce Hawes. Based in Philadelphia for several years until he relocated to Florida, Bruce co-wrote many hits such as the Spinners’ classics “Sadie” and “Games People Play (They Just Can’t Stop It)”. Bruce learned from the best - his music teachers in school - and worked with music’s finest (Kenny Gamble and Leon Huff, Thom Bell). He’s also worked alongside artists such as the late jazz violinist, Noel Pointer. Currently, Bruce is putting the finishing touches on his autobiography that will also serve as a great how-to book on how to succeed in this business of music. Click the link and enjoy our SOULFUL CONVERSATION with Mr. Hawes!</span></span><br />
<a href="http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-bruce-hawes/" style="font-family: Arial, Helvetica, sans-serif;" target="_blank">http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-bruce-hawes/</a><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">A SOULFUL CONVERSATION WITH WAYNE JACKSON (THE MEMPHIS HORNS)</span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; text-align: center;">Fifty-two years ago, a teenage Wayne Jackson co-wrote and blew his funky horn with the Mar-Keys on the Top 5 pop/soul smash, “Last Night”. From there, the adventure began for this legend - cutting tracks as a session man and Mar-Keys member for Stax Records, working alongside legends from Otis Redding to Sam & Dave, touring Europe and then the Monterey Pop Festival, forming the Memphis Horns with sax great Andrew Love, jetting between Memphis and other major cities for gigs, goin’ Country in Nashville with Marty Robbins, leading the horn section on Peter Gabriel’s “Sledgehammer” all the way to earning the Lifetime Achievement Grammy with his lifelong friend Mr. Love (pictured here, circa 1968).</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; text-align: center;">Mr. Jackson has a three-volume set of memoirs (In My Wildest Dreams - Take 1, 2 & 3) that he and his wife Amy have published (and yes, his story DOES warrant three books!!). We caught up with Wayne recently for this SOULFUL CONVERSATION (click the link and enjoy!)</span><br />
<a href="http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-wayne-jackson-memphis-horns/" style="font-family: Arial, Helvetica, sans-serif; text-align: center;" target="_blank">http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-wayne-jackson-memphis-horns/</a><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">SPRING INTO REISSUES!</span></span><br />
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<span style="font-family: Arial;">Here are two new CD reissues now available, each with liner notes penned by yours truly.</span></span><br />
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<span lang="EN"><span style="font-family: Arial;"><br /></span><span style="font-family: Arial, Helvetica, sans-serif;">FREDA PAYNE "SUPERNATURAL HIGH", released in 1978, was the sophomore Capitol album by the femme fatale who brought us the hit classics "Band Of Gold", "Bring The Boys Home" as well as "Deeper & Deeper". As she indicated in the interview for the liner notes, Ms. Payne enjoyed cutting this release for it allowed her to venture into rousing disco ("Happy Days Are Here Again/Happy Music"), ballads ("Just The Thought Of You And Me Together - Supernatural High") and R&B/soul - all produced by Skip Scarborough. The liner notes feature great insights from both Freda and sister Scherrie Payne (who penned "Storybook Romance" for the album and later recorded it with Susaye Greene on Motown). Click the link and check out one of the tunes from this fine album. </span></span><a href="http://www.youtube.com/watch?v=y3ygcwQds94" style="font-family: Arial, Helvetica, sans-serif;" target="_blank">http://www.youtube.com/watch?v=y3ygcwQds94</a><br />
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<span style="font-family: Arial, Helvetica, sans-serif; text-align: center;">G.C. CAMERON “LOVE SONGS AND OTHER TRAGEDIES” was the first ever Motown long-player (released in 1974) from Mr. Cameron after his tenure with the Spinners (“It’s A Shame”) and a bunch of solo singles on the Mowest subsidiary. Chock full of great tunes written and/or produced by Stevie Wonder, Willie Hutch as well as the Muscle Shoals’ production team of Terry Woodford and Clayton Ivey, the album was indeed tailor-made to show off G.C.’s versatility. The liners feature quotes and commentary from interviews with G.C., Terry Woodford, composer/producer Pam Sawyer, Motown engineer Bob Olhsson as well as input from Deke Richards of The Corporation prior to his passing a few weeks ago. The CD contains the original album plus G.C.'s Mowest singles from 1972-74. Click the link for a taste from the disc. <a href="http://www.youtube.com/watch?v=y9ni_umo-c0" target="_blank">http://www.youtube.com/watch?v=y9ni_umo-c0</a></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">These reissues are courtesy of SoulMusic Records - co-owners are the legendary David Nathan (the British Ambassador of Soul from Blues & Soul Magazine fame) and longtime record executive Michael Lewis.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Thanks again for checking out the KGMJ as we enter into the month of May! Look out for more music reports to come (lots of stuff happening soon!) and by all means any feedback is greatly appreciated. Take care and be well!</span></span>soulninjakevin@gmail.comhttp://www.blogger.com/profile/03550433993133198934noreply@blogger.com0tag:blogger.com,1999:blog-2557090185580831968.post-44583419915500011382013-04-02T18:19:00.000-07:002013-05-10T06:32:55.276-07:00<span lang="EN"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">KGMJ - APRIL 2, 2013</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Hey folks! Had to take some time off from the blog so I could handle some other business. Some exciting things happening soon and I will let y’all know as matters are finalized. We lost some mighty big legends in the past few weeks - The Temptations’ Damon Harris and Richard Street, Spinners lead singer Bobbie Smith, producer/engineer extraordinaire Phil Ramone and the following gentleman whom I had the honor of meeting many years ago when I participated in the Soulful Detroit Forum webpage. Read on about him…..</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">REMEMBERING DEKE RICHARDS</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">His name should be familiar to anyone who bought a Jackson 5 single or album between 1969 and 1973, among the many achievements he had while at Motown Records. DEKE RICHARDS was the captain of the production team known as The Corporation - four men brought together by label founder Berry Gordy to create songs for the five young brothers from Gary, Indiana. Deke - along with Fonce Mizell, Freddie Perren and Mr. Gordy - hit it out of the music biz ballpark when they scored three consecutive #1 hits for the J-5. “I Want You Back”, “ABC” and “The Love You Save” as well as the Top 10 smashes, “Mama’s Pearl” and “Sugar Daddy”. They also co-authored several album tracks that remain fan favorites - “I Found That Girl”, “Can I See You In The Morning”, “I Will Find A Way”, “She’s Good” and the non-album b-side, “I’m So Happy” (“Sugar Daddy” was the a-side).</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Deke Richards - who passed away last week after battling esophageal cancer at the age of 68 - accomplished much while at Motown, besides working with the Jackson 5. Born Dennis Lussier in California, Berry Gordy hired him in 1966 as one of many folks to work at the label’s west coast office (which became the company’s headquarters in 1972). Yet, Deke wasn’t confined to Los Angeles - when Motown needed to come up with a hit for Diana Ross & the Supremes in 1968, Deke (along with colleague Frank Wilson) flew in to the label’s base of operations in Detroit to participate in a brainstorming session at the Ponchetrain Hotel with R. Dean Taylor, Pam Sawyer and Mr. Gordy himself. A couple of days later, Taylor, Sawyer, Wilson and Richards came up with the demo of “Love Child”. After handing the tape to BG, here’s what happened next, in Deke’s own words (courtesy of the Soulful Detroit Forum)…..</span><br />
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<span style="font-family: Arial; font-size: x-small;"><span style="font-family: Arial; font-size: x-small;"><span style="font-size: large;">“When I arrived at the mansion. Berry was playing the tape, singing some melodies, etc. He told me he how much he liked the guitar licks and wanted to hear more of them. ‘Well ‘, I said, ‘did you decide on a progression you like the best?’ ‘Let's just play around with them for a bit. Plug in your guitar’, he said. So we went over the different changes, moving things around, etc….We used pretty simple chords, so it was easy for Berry to actually learn the progressions, and play along on the piano. I helped just feeding him the chords verbally, till he was comfortable. When we finally stuck with the composite progression we both seemed to like the best, we gave it a try together. It felt right and the order of the chords went together fine. We sang some melodies back and forth. Then, I played the tape we had made at the Ponchetrain earlier. ‘OK‘, I said, ‘Now see if you like this.‘ When it came to one of the sections we had decided to use, I played more of the 'Duane Eddy-ish' guitar licks at the changes. 'Great‘, he shouted. ‘That's it!‘ Well, THAT did it. (Berry) was definitely hyped up and ready to roll. ‘Call (the writers) and tell them to get over to the hotel RIGHT NOW!’ I got on the phone and passed on the word. I reached Frank in his room. I could hear the TV in the background. I said, ‘You sound like you're kicking back. Well, get your shoes on, It's time to go back to work. I'm here with BG at the mansion. He wants us to meet at the Ponchetrain now. We're going for the kill!’"</span> <br />
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<span style="font-family: Arial;"><span style="font-size: large;">And did they ever. “Love Child” became a #1 hit for Diana, Mary and Cindy in 1968.</span><br />
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<span style="font-size: large;">Deke went on to produce Chris Clark’s second album, “C.C. Rides Again” which was scheduled for release on a “progressive rock” Motown subsidiary, Weed Records (no, this is not a joke!). Then came the formation of The Corporation which spearheaded the successful run for the Jackson 5. In addition, Deke ran the boards for Diana Ross’ sophomore solo disc, ‘Everything Is Everything” (he felt that the label rushed into doing her second album too soon after the first solo release) as well as Sammy Davis Jr.’s sole Motown disc, “Something For Everyone” (which earned a thumbs up from Sammy, Frank Sinatra and Dean Martin - long story there!). </span><br />
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<span style="font-size: large;">If I were to pick a favorite among the many tunes Deke and the Corporation had created, it’s “Maybe Tomorrow” - the title track of the Jackson 5’s fifth Motown album. Released as the follow-up to the smash, “Never Can Say Goodbye”, the song “Maybe Tomorrow” reflected the J-5’s admiration and respect for Philly soul, especially the works of the Delfonics and producer/composer/arranger Thom Bell. Deke admitted to me in a couple of direct conversations that colleague Freddie Perren’s piano licks (especially the intro of “I Want You Back”) were inspired by the keyboard work of Leon Huff. After cutting three tunes from the Delfonics catalogue - “Can You Remember”, “La-La Means I Love You” and “Ready Or Not, Here I Come” - The Corporation created a great song that captured the essence of those classics. </span><br />
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<span style="font-size: large;">The last time I had spoken with Deke was last August, when I needed quotes for the G.C. Cameron liner notes I authored for the reissue of his album, “Love Songs And Other Tragedies” (The Corporation produced his single, “I’m Gonna Get You”). Although Deke wasn’t feeling well, he did contribute information I needed to complete the writing assignment and said, “I wish we had more time to work with folks such as G.C. Cameron as well as Martha Reeves & the Vandellas (their 1971 single, “Bless You”, was another production by The Corporation). But you know we had five other priorities, and their names were Michael, Marlon, Jermaine, Tito and Jackie!” Even with his illness, Deke’s humor and way with words was shining through.</span><br />
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<span style="font-size: large;">Deke Richards joined his colleagues Fonce Mizell (left) and Freddie Perren (right) in the land above the clouds. To all of them, thank you for making a hell of a contribution to music. You will never be forgotten.</span><br />
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<span style="font-size: large;">Click the link and enjoy the Jackson 5's "Maybe Tomorrow", composed and produced by The Corporation, arranged by Gene Page.</span><br />
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<span style="font-size: x-large;">SOULFUL CONVERSATIONS</span><br />
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<span style="font-size: large;">A Detroit recording studio owner/Motown executive, a composer of great lyrics and a jazz pianist beyond compare are the focus of this new round of SOULFUL CONVERSATIONS. Listen and enjoy!</span><br />
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<br />RALPH TERRANA</span><br />
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<span style="font-size: large;">Founder of the Motor City’s Terra-Shirma Studios, RALPH TERRANA shares his recollections of having pop music folks such as the MC5 cut their controversial classic “Kick Out The Jams” and Isaac Hayes’ “Hot Buttered Soul” platinum album at his facility. He went on to become Motown’s Studio Manager in Detroit during the 1970s and produced acts such as The Power Of Zeus as well as the duo Stoney and Meatloaf. Click the link and enjoy the interview!</span><br />
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<a href="http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-ralph-terrana/">http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-ralph-terrana/</a><br />
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<span style="font-size: large;">VINNIE BARRETT</span><br />
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<span style="font-size: large;">All you gotta do is mention three songs - “Sideshow”, “Just Don’t Want To Be Lonely” and “Love Won’t Let Me Wait”. Composer/lyricist VINNIE BARRETT talks about her move from our nation’s capitol to the City of Brotherly Love, which resulted in writing hit songs that sold millions of records, many of these tunes she co-authored with the equally great Bobby Eli (pictured here with Vinnie, circa 1975). </span><br />
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<span style="font-size: large;">She even hints as to who and what inspired her to pen the lyrics for “Love Won’t Let Me Wait” (hmmmm….). Listen in and enjoy!</span><br />
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<a href="http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-vinnie-barrett/">http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-vinnie-barrett/</a><br />
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<span style="font-size: large;">ALEX BUGNON</span><br />
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<span style="font-size: large;">During the late 1980s and through the 1990s, keyboardist ALEX BUGNON ruled the contemporary jazz scene with his mix of modern sounds and traditional piano work. His albums were best-sellers and he continues to make great music today. Alex’s upcoming album carries on the theme of his recent effort, where he honors the sounds of acoustic jazz that was popular in the 1960s. He also talks about his uncle, the late jazz legend Dr. Donald Byrd, and announces an upcoming tribute to Dr. Byrd that will take place in Harlem within the next few weeks. Click the link for our conversation.</span><br />
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<a href="http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-alex-bugnon/">http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-alex-bugnon/</a><br />
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<span style="font-size: x-large;">A FINAL NOTE….</span><br />
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<span style="font-size: large;">The passing of Deke Richards was yet another reminder for this blogger as to why I do what I do - which is to help music folks get their stories documented and told so that they will always be remembered. At the same time, Deke did just that over ten years ago when he posted his many adventures with The Sound Of Young America. If you want to know more about the works that Deke, Fonce, Freddie, Berry Gordy and others at Motown had created during the time period of 1968 and 1973, click onto the link - </span></span><a href="http://soulfuldetroit.com/archives/3838/1748.html?1042799727"><u><span style="color: blue; font-family: Arial;"><span style="color: blue; font-family: Arial; font-size: large;"><span lang="EN">http://soulfuldetroit.com/archives/3838/1748.html?1042799727</span></span></span></u><span style="color: blue; font-family: Arial;"><span style="color: blue; font-family: Arial;"></span></span></a><span style="font-family: Arial; font-size: large;"><span lang="EN"> , page down to where you see his name and read on. There’s a lot of great tidbits and information he shared, enough to write a book, indeed.</span></span><br />
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<span style="font-family: Arial;"><span style="font-size: large;">Thanks for checking out the blog and I’ll catch up with y’all later!!</span><br />
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<span style="font-size: large;">Best regards always,</span><br />
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<span style="font-size: large;">Kevin</span></span>soulninjakevin@gmail.comhttp://www.blogger.com/profile/03550433993133198934noreply@blogger.com0tag:blogger.com,1999:blog-2557090185580831968.post-10671368851078666222013-03-10T18:28:00.000-07:002013-03-11T07:25:23.703-07:00KGMJ - MARCH 10, 2013<span lang="EN"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: large;">Hey folks! Thanks for stopping by to check out the latest blog entry. Last week was a bit crazy with artist interviews and liner note assignments - which is why I delayed this current entry until now. Again, I do appreciate your support and readership. Now, on with the show!</span><br />
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<span style="font-size: x-large;">BILAL - “A LOVE SURREAL”</span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">The Purpose Music gang has another winner on their hands and a well-deserved one at that. “A LOVE SURREAL” is the fourth release from BILAL and so far the reaction has been very positive. Pre-orders and great reviews helped Bilal’s latest album sell over four-thousand copies within the first week of sales (according to Billboard magazine) and rank high among the most downloads on iTunes. A colleague of Common, the Roots and Grammy winner Robert Glasper (who played keyboards on two tracks), this latest effort from Bilal is a much softer and more acoustic approach to his brand of lyrical R&B and soul. Check out the video for “Back To Love” and buy the album (click the link <a href="http://www.amazon.com/A-Love-Surreal-Bilal/dp/B00AXM48WG/ref=sr_1_1?ie=UTF8&qid=1362962998&sr=8-1&keywords=bilal+a+love+surreal">http://www.amazon.com/A-Love-Surreal-Bilal/dp/B00AXM48WG/ref=sr_1_1?ie=UTF8&qid=1362962998&sr=8-1&keywords=bilal+a+love+surreal</a> )</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">MARC McBARRON KESSLER</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Went to see Marc McBarron Kessler at Don’t Tell Mama’s here in NYC last month (thank you, Theresa Poukamissas for bringing me along!) where he presented his two-man show with singer J. Michael Reeds, “Notes From The Playground”. Marc’s works are indeed promising and with enough perseverance, he could someday be in the same league as the great composers of the Broadway stage (think of the two Stephens - Sondheim and Schwartz, to be exact). The stories Marc writes about are unapologetically autobiographical and poignant. His new show, “The Naked Arcade”, (with J, Michael Reed, Go Mahan and Francesca McAaron) will be at the Underground Lounge in NYC on Saturday, March 16<sup>th</sup> (show time - 10pm, click the link for details - <a href="http://www.theundergroundnyc.com/events/nextweek">http://www.theundergroundnyc.com/events/nextweek</a>). Enjoy this clip from “Notes” where Marc sings, “You’re A Star”.</span><br />
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<a href="http://hoboken411.com/archives/83155"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">MARC McBARRON KESSLER "YOU'RE A STAR" VIDEO</span></a><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">SHARON RAE NORTH</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Thanks to music manager Tonya Hawley for tipping me off to this Virginia-based chanteuse. From standards to smooth jazz, Ms. North has built up her rep during the past many years in her home state and the southern region of the USA. Sharon’s work has brought her to the attention of Hollywood, when she performed at the wrap party for the filming of “Lincoln”. Her second album on the 32 Bar label, “Gee Baby” was released last year to positive raves. For readers in the Richmond area, Sharon will be gigging at the Wine Loft (Glen Allen, VA) on Thursday, March 21<sup>st</sup> from 8pm to 10pm (click the link for more info - <a href="http://sharonraenorth.com/catch_me_here/">http://sharonraenorth.com/catch_me_here/</a> ). Here she is from a TV appearance performing the title of her debut disc, “The Way You Make Me Feel.”</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">THE J. DAVIS TRIO</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: large;">For almost 15 years, the J. Davis Trio has built a strong following thanks to their perfect blend of hip-hop, jazz and cool rap. The “J” is Julio Davis, whose father was the legendary Chicago soul music producer/executive/label owner, the late Carl Davis (trivia buffs - Mr. Davis named one of his publishing firms after his sons Julio and Brian). Within seconds of listening to their tracks, I was pleasantly reminded of how the three elements I mentioned work so well together. The J. Davis Trio is definitely in the same league as the Roots, A Tribe Called Quest and De La Soul. Julio plays multiple instruments such as the vibes whereas the remainder of the group (Dave Smith, Sam Sharp, Chris Greene and Dave Winer) round out with acoustic bass, drums and horns. The group’s fourth album is now available and they will be in Brooklyn at Freddy’s Bar (the Back Room) on Friday, March 22<sup>nd</sup> at 11pm (click the link for details <a href="http://freddysbar.com/events/1094/the-j-davis-trio-11pm/">http://freddysbar.com/events/1094/the-j-davis-trio-11pm/</a>). Meanwhile, enjoy this nickel bag of hip-hop jazz, "The Answer".</span></span><br />
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<span style="font-size: x-large;">MIKE MacARTHUR</span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">When I first met saxophonist and hometown pal “Big” Mike MacArthur, he was a young lion fresh from college in Florida and ready to tackle his grad studies at Columbia University’s Manhattan School of Music. It was a honor to have him work with me and my partners at M.O.F.U. Productions (he served in our pit orchestra for cabaret shows at NYC’s Duplex). A veteran of Maynard Ferguson’s orchestra, Mike went back to Florida and has recorded works both as a leader and a sideman. His latest album, “Feels Like Home”, finds him front and center with a group of heavy hitters that include Rick Braun (horns) as well as keyboardist Jeff Lorber. The long-player pops with energetic solos and precision performances. Click the link to buy the record ( <a href="http://www.amazon.com/Feels-Like-Home-Mike-MacArthur/dp/B00B35PB2S/ref=sr_1_1?ie=UTF8&qid=1362963798&sr=8-1&keywords=mike+macarthur">http://www.amazon.com/Feels-Like-Home-Mike-MacArthur/dp/B00B35PB2S/ref=sr_1_1?ie=UTF8&qid=1362963798&sr=8-1&keywords=mike+macarthur</a>) and check out this clip of Mike at the NAMM convention from last year.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-large;">A FINAL NOTE…</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">As many of you know, my passion for music has been in my being since I can remember. While I do have my preferences, as you may have probably figured out, I listen to as well as acknowledge many genres - from soul, jazz and rock to stage tunes, country, folk and classical. That is one of the goals for writing this blog - to bring attention to these forms of music and those who create fine works on an independent level. Yes, there are folks at the major labels who make great music but the big companies have the financial resources to promote their music. The independent acts and businesses have to be more creative to gain support - from social media to continuous gigs and good ol’ word of mouth. That’s why I do what I do here on the blog - help get the good word out for the independent folks. As long as I am here on this earth, I will continue to bring forth these great talents and their music. And I do thank you very much for the support of this blog and the music makers you read about on your PC, laptop, tablet, android, iPad, etc.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Take care and tune in for the next blog entry coming your way at the end of March!<br />
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Best regards,</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Kevin</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">PS - Any and all inquiries regarding acts, gigs, music and info are greatly appreciated! Send me an email, </span><a href="mailto:kevingoins@juno.com"><u><span style="color: blue;"><span style="color: blue;"><span style="color: blue; font-family: Arial, Helvetica, sans-serif; font-size: large;"><span lang="EN">kevingoins@juno.com</span></span></span></span></u><span style="color: blue;"><span style="color: blue;"><span style="color: blue;"></span></span></span></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><span lang="EN"> , find me on Facebook or follow me on Twitter (kevingoins1). Thanks!</span></span><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Arial; font-size: x-small;"></span></span></span><span style="font-family: Arial; font-size: x-small;"><span style="font-family: Arial; font-size: x-small;"> <br />
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</span></span><br />soulninjakevin@gmail.comhttp://www.blogger.com/profile/03550433993133198934noreply@blogger.com0tag:blogger.com,1999:blog-2557090185580831968.post-79421652779804836792013-02-20T15:54:00.000-08:002013-02-20T15:54:24.102-08:00KGMJ - 2/20/2013<span lang="EN"><span style="font-size: large;">Yes indeed, folks! Another edition of the KGMJ for the month of February. I want to take a moment and thank all who have read the blog and posted your feedback, comments and suggestions via Facebook, Twitter, emails and texts. Greatly appreciate the support and the readership. Let’s dive in to the pool, shall we!!</span></span><br />
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<span style="font-size: x-large;">ABIAH @ THE BLUE NOTE, NYC (2/11/2013)</span><br />
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<span style="font-size: large;">What a great way to spend a wintry Monday evening in the Big Apple! Singer/songwriter ABIAH did two sets at the Blue Note, each one to a packed house. Performing tunes from his latest release, LIFE IS A BALLAD, Abiah fronted a five-piece acoustic band and three solid background singers. His voice…what can I say? Abiah’s tenor is soft yet strong and sonic (think a male version of Minnie Riperton, folks…yes he’s that good!). With great tunes such as “Scent Of A Woman” (new song), “Foolish Heart” and “Doves” (his take on the Prince classic), Abiah had the audience within his spell. </span><br />
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<span style="font-size: large;">Abiah’s music is a moody yet soft blend of jazz, classical, soul, pop and even folk, all helmed by his classically-trained voice. In the middle of the show, Abiah welcomed Jean Baylor of the duo Zhane to perform “Goodbye”, and their voices more than complimented each other. She even joined him on the encore as well. Abiah is, to this writer, carrying on the tradition of the gentle music that has emerged from the Upstate New York area (he, like me, is from Rochester, NY) and Canada over the past 50 years, from Gordon Lightfoot to the team of Don Potter & Bat McGrath (who worked with Chuck Mangione in the early 1970s).</span> <br />
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<span style="font-size: large;">When I met Abiah backstage, he and I discovered we shared common ground being that we are both from Rochester NY - we graduated from the city’s public school district, shared the same high school voice teacher (Patricia Alexander, mother of famed opera star Renee Fleming) and were raised by mothers who were classically driven (his mom accompanied the great William Warfield, mine studied opera at Canegie Mellon University prior to marrying my Dad). </span><br />
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<span style="font-size: large;">Now, if only our hometown can have Abiah as part of the Rochester International Jazz Festival next year (and yes, this is a not-so-subtle message to my friends back home to help get the word out!!). Check out Abiah's reworking of the Prince classic:</span><br />
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<span style="font-size: x-large;">BILLY VERA GETS THE GRAMMY (finally!)</span><br />
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<span style="font-size: large;">Composer/artist BILLY VERA is best remembered by fans for his #1 hit from 1987, “At This Moment” (used in the TV series, “Family Ties”) as well as the 1967 classic, “Storybook Children” with the late Judy Clay. But to many in the recording industry, Billy is a rock and soul music historian who has put his knowledge and personal recollections to great use as a liner note writer and researcher for CD compilations as well as reissues. </span><br />
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<span style="font-size: large;">I was first knocked out by his authorship when Billy penned the notes for the Rhino Records collection, “The R&B Box”. Actually, these weren’t just notes, Billy practically wrote a BOOK filled with anecdotes, information and first-hand accounts of seeing these legends in action. </span><br />
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<span style="font-size: large;">Through the years, Billy earned four Grammy nominations for Best Liner Notes and this time, he finally got the prize for his work on the Ray Charles anthology, “Singular Genius - the Complete ABC Singles Collection”, released on the Concord Music label. I cheered when fellow writer A. Scott Galloway posted this info on his Facebook page and I had to put it on mine as well. Very inspiring to see a colleague earn such an honor. And I gotta say this - when I started writing liner notes in the late 1990s, Billy was one of the folks I’d call to get information and even guidance. </span><br />
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<span style="font-size: large;">Congratulations, Billy. An honor well earned and deserved. Let's go back in time for a tune he had written which was a hit for Bobby Goldsboro - "With Pen In Hand".</span><br />
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<span style="font-size: x-large;">CARL DAVIS REMEMBERED</span><br />
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<span style="font-size: large;">On the evening of the Grammy Awards, during their In Memoriam segment, I let out a big “hell, yeah!” when I saw the picture of one of my music biz mentors on the TV screen. The late CARL DAVIS has been called The Dean Of Chicago Soul and for great reasons. Record producer, label executive and owner, publisher, Carl was responsible for hits such as “Duke Of Earl” (Gene Chandler), “Monkey Time” (Major Lance), “Dear Lover” (Mary Wells), “Whispers [Getting Louder]” and “Higher & Higher” (Jackie Wilson), as well as “Love Makes A Woman” (Barbara Acklin) when he was the A&R chief for Okeh Records and the Brunswick label. Towards the early 1970s, Carl had his own labels (Dakar/Bashie) and was promoted to VP of Brunswick Records. That’s when the fun really kicked in thanks to hits he released by Tyrone Davis (“Can I Change My Mind”, “Turn Back The Hands Of Time”) and the Chi-lites (“Have You Seen Her”, “Oh Girl”). The mid to late 1970s, he launched two other labels - Innovation II and Chi-Sound.</span> <br />
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<span style="font-size: large;">But what I remember of Mr. Davis was the great help he had given me when I was hired at Brunswick Records in 1995. From the first phone call we had to meeting him in person to our final conversation months before he passed, Carl was always willing to talk about the work he helped create, set the record straight on many issues (for instance, Young/Holt Unlimited did NOT play on “Soulful Strut” - the hit that bore their name - and yes, Motown’s Funk Brothers DID play on Jackie’s “Higher & Higher”), the artists he produced and even about his family, which he named his many companies after (Julio-Brian Music - his sons, Jalynne Productions and Pam Records - his daughters). The purpose of these conversations was simple - to help me navigate the sometimes choppy waters of the recording industry. </span><br />
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<span style="font-size: large;">Carl was always in good spirits when we talked and during my business trips to Chicago, stopping by his house for a visit was imperative. This was at a time when many Windy City music legends opened their doors for this travelin’ man who was (and still is) yearning for knowledge. Carl Davis, Eddie Thomas, Willie Henderson, Richard Pegue, Thomas “Tom Tom” Washington, Simtec Simmons, Cicero Blake, Andre Williams, William “Sonny” Sanders, Joshie Armstead, Wesley Wells of the Steelers, Chuck Colbert (American Breed, Rufus, Daylighters), George “Paco” Patterson (Midnight Movers Unlimited).</span><br />
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<span style="font-size: large;">When I needed to speak with Carl in January of last year for liner note research, legendary arranger/composer William “Sonny” Sanders forewarned me that he was ill. The moment I heard Mr. Davis’ voice on the phone, the oxygen tank he used was in full operation. Yet, he spent whatever time was needed to discuss the music he produced for the late Mary Wells (his recollections can be found in the liner notes for the SoulMusic Records collection of Mary’s 20<sup>th</sup> Century Fox recordings). Carl had asked me if I was still living in Wisconsin and after explaining to him that I was moving back to New York City in the spring, he responded, “Good! Get out of Wisconsin, Kev. You belong back in the big city. The (music) industry needs guys like you to help tell the stories about us music makers”. Weeks after I made my transition back to the Big Apple, Carl passed away at the age of 77.</span><br />
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<span style="font-size: large;">I had originally written an obit for SoulMusic Records when he died but always wanted to write something more personal. Carl’s recognition by the Grammy folks provided that opportunity. As I say on my Facebook page - rest in peace, Mr. Davis, and thank you for the music and your contributions to the industry. You will be remembered and missed. Here's one that Carl produced for his dear friend and buddy (his words), the late WALTER JACKSON. From 1965 - released on Okeh Records (which they re-recorded in '75 on Chi-Sound), "WELCOME HOME".</span><br />
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<span style="font-size: x-large;">GIGS, GIGS AND MORE GIGS!!</span><br />
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<span style="font-size: large;">If you’re going to be in the NYC area within the next few days, check out these shows….</span><br />
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<span style="font-size: x-large;">SOUL FACTORY PRESENTS, SATURDAY FEBRUARY 23<sup>RD</sup>, DROM NYC</span><br />
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<span style="font-size: large;">Another SOUL FACTORY PRESENTS event this weekend, held the last Saturday of each month at Drom in NYC’s Village. Presented by folks such as Purpose Music Group and State Farm Insurance. Featuring KIM HILL, GENO YOUNG and BRIANNA COLLETTE. Call for reservations.</span><br />
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<span style="font-size: x-large;">COLLETTE, FRIDAY MARCH 1<sup>ST</sup>, BLUE NOTE NYC</span><br />
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<span style="font-size: large;">Look folks, I’ve been talkin’ ‘bout COLLETTE for a couple of months, based on gigs she performed at Drom as well as BB King’s. On Friday, March 1<sup>st</sup>, she’ll be leading a midnight soul/jazz jam at the Blue Note here in the Big Apple. Tickets are only ten bucks - that’s right, ten dollars (as in two fives, ten singles, a five-four singles-four quarters….get the picture??). So, do yourself a favor, get a ticket - hell, get two tickets (for your and your honey/friend/life partner/bind date), hire a babysitter for the kids and make plans to be at the Blue Note at the midnight hour that first Friday in March. (And yes, Collette, you’re welcome!!!)</span><br />
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<span style="font-size: x-large;">THAT’S ALL, FOLKS!!</span><br />
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<span style="font-size: large;">Thanks again for reading, gang! Tune in next time for features spotlighting the rock act, STREET KING HEROS, a young man of soul named DENNIS “YOUNGBLOOD” TAYLOR and more commentary from yours truly about the industry. Comments and feedback are always appreciated (follow me on Twitter - kevingoins1 - or friend me on Facebook). Take care, be well and keep listening to great music!</span><br />
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<span style="font-size: large;">Regards,</span><br />
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<span style="font-size: large;">Kevin</span><br />
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soulninjakevin@gmail.comhttp://www.blogger.com/profile/03550433993133198934noreply@blogger.com0tag:blogger.com,1999:blog-2557090185580831968.post-41581834743029781962013-02-06T17:11:00.001-08:002013-02-06T18:55:30.262-08:00KEVIN GOINS MUSIC JOURNAL - FEBRUARY 6, 2013<span lang="EN"><br />
<span style="font-size: large;">Hi-de-ho, hi-de-hi! Thanks for clicking the link for another edition of the KGMJ. Dang, is it February already??? The new year is going by pretty quick so far! Hope everyone is having a sweet 2013, so far. Let’s get down to biz….<br />
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<span style="font-size: x-large;">THE SUPER BOWL DIVA-DOME!</span></h2>
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<span style="font-size: large;">My old partner from a 1990s production company, Bill Vila, asked me for my perspective in regards to the performances that took place during this year’s big game - musical, that is. In particular, my take on ALICIA KEYS doing the Star Spangled Banner. Well, let’s start from the beginning….</span><br />
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<span style="font-size: large;"><strong>JENNIFER HUDSON</strong> - I have to admit that Ms. Hudson and the kids from the Sandy Hook Elementary School took the prize for their fine rendition of “America, The Beautiful”. Nothing but pure emotion here in their performance, folks. Jennifer’s contralto was in control and the kids made this worth listening in a big way. If you didn’t feel anything during this segment, better check your pulse.</span><br />
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<strong>ALICIA KEYS</strong> - Looking mighty fine in that red dress, Ms. Keys took a page from the Queen of Soul, Aretha Franklin (co-opted by ‘Ree‘s legendary producer, Jerry Wexler) - just sit at the piano and sing. Alicia took her time with “The Star Spangled Banner”, no rushing, no going for the loud, high notes that has rendered her voice to a gravel-pitch in prior concert performances. She knew that she had to come correct and did so. A fine job, Ms. Keys.<br />
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<span style="font-size: large;"><strong>BEYONCE, KELLY AND MICHELLE</strong> - All jokes aside regarding the electric bill, Beyonce and company brought down the house with their knock-out presentation. Yes, the musicians were miming to tracks. Yes, Beyonce cut her background vocals prior to show time. Yes, it was a dazzling light show that would have made the folks at General Electric smile. But Ms. Knowles was smart - her lead vocals were live and in the house. She didn’t try to dance and sing simultaneously from start to finish - she did one or the other. Having Kelly Rowland and Michelle Williams along for the ride was a smashing touch. It was a performance, indeed. Didn’t expect anything less.<br />
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All in all, a fine show. A damn good game (congrats to the Baltimore Ravens). Just one note - being that the Super Bowl was in New Orleans, it would have been great if the handlers had included at least a couple of nationally-known NOLA-based acts for the half-time show or to perform our country’s anthems (Uh, can we say Aaron Neville!!! The man does have a new album out!). Okay, maybe these folks aren’t that well known to many of the young ‘uns who watch the performances but really, gang…..Fats Domino, Irma Thomas, the Neville Brothers, Harry Connick Jr, Lenny Kravitz…need I say more!<br />
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<span style="font-size: x-large;">ABIAH</span></h2>
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Singer/composer ABIAH has been receiving rave reviews for his new album, “LIFE AS A BALLAD”, released via Madoh Music and NIA Distribution. A native of my hometown, Rochester NY, Abiah made his debut years ago under the name Jeramiah with an album on Universal/Republic Records. Lack of promotion for that effort prompted him to go the independent route and all for the better. Since the release of his latest disc, Abiah has earned praise from the jazz and contemporary music circles. How to describe his music? A moody piano jazz-influenced set of ballads with his sweet tenor and keyboard work being the highlight. Abiah will be at the Blue Note here in NYC on Monday night, February 11<sup>th. </sup>Check out his latest tune, “SEPTEMBER” and look for a review of his Blue Note gig in a future edition of this blog.</span><br />
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<span style="font-size: x-large;">MONET CHERISE</span> </h2>
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<span style="font-size: large;">The Brooklyn-based MONET CHERISE has been doin’ her thing for quite some time and her gig at Drom’s Soul Factory Presents in November had the crowd on their toes. Combining dance, jazz, Latin and soul, Monet plays a multitude of instruments (flute and guitar, in particular) and her vocals are as sultry as they are playful. Her current album, “LIFE SIZE MIRROR” is available via her own company, Nyamekye Songs LLC, and the folks at Purpose Music. In addition, Ms. Cherise has a Master’s Degree in Special Education from Adelphi University and has directing as well as producing credentials on her resume. Check out Monet’s SPIRIT.</span><br />
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<span style="font-size: x-large;">A SOULFUL CONVERSATION WITH…..LILA POLITE</span></h2>
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<span style="font-size: large;">A media maven and entrepreneur based in Harlem, LILA POLITE is the publisher of Utley Branch Books, a sweet boutique house of fine publications. In the past, Ms. Polite has worked for broadcasting and sports entities as well as spent her time in the music biz trenches as a concert promoter and record executive. This SOULFUL CONVERSATION took place in late September of last year. I must admit that it was folks such as Lila and many others who motivated yours truly to expand into the blogging arena and this journalist is forever grateful. Click the link below for my interview with Lila....</span><br />
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<a href="https://soundcloud.com/#user140611011/lila-polite-soulful">https://soundcloud.com/#user140611011/lila-polite-soulful</a><br />
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<span style="font-size: x-large;">A SOULFUL CONVERSATION WITH…..DONALD CLEVELAND</span>
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This brotha has been in the record biz so damn long, he should have taken over the major labels eons ago! But nooooo! DONALD CLEVELAND spent several years making sure that classic soul, R&B, dance and jazz albums make it onto CD and download thanks to his work with labels such as Universal Music Group, Razor & Tie Music, Funky Town Grooves and currently, the Purpose Music Vaults. This SOULFUL CONVERSATION covers not only his work in the industry but even advises the music lover as to what needs to be done in order for folks to see their favorite classics come back out of the vaults.<br />
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</span><a href="https://soundcloud.com/#kevingoinsproductionmedia/donald-cleveland-soulful"><span style="font-size: large;">https://soundcloud.com/#kevingoinsproductionmedia/donald-cleveland-soulful</span></a><br /><span style="font-size: large;">
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<span style="font-size: x-large;">ELISA RANDAZZO</span></h2>
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She’s the daughter of two songwriting legends, composer Teddy Randazzo and lyricist Victoria Pike. Based on the West Coast, ELISA RANDAZZO served as an executive for Broadcast Music Incorporated (BMI) for quite some time Two years ago, she recorded a great solo disc, “BRUISES AND BUTTERFLIES”, that showed off her prowess in the genre of folk-rock. But don’t call her music “retro-works”, Elisa brings a fresh, modern perspective to her compositions, creating something quite original. In addition, Elisa has her own clothing line based on the duster look of the old west. She took time off from music to raise her young daughter but will be heading back into the studio soon. Looking forward to hearing some great new stuff from Ms. Randazzo. In the meantime, check out “CIRCLES”….</span><br />
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<span style="font-size: x-large;">THE BOLTS</span></h2>
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<span style="font-size: large;">Produced and managed by industry vet Guy Eckstine, THE BOLTS and their new album, “WAIT ‘TIL WE’RE YOUNG” is as crisp as a cold splash of water to a sleeping giant. Tight musicianship and solid harmonies grace their latest album. The Irvine, CA-based band consists of guitarist Heath Farmer, bassist Adam Farmer, keyboardist Austin Farmer, guitarist Ryan Kilpatrick, and drummer Matt Champagne The long-player will be available in 24-bit high resolution audio via iTunes this month (translation - it’s gonna sound SLAMMIN’ in digital!). Check out their video, "THE TRUTH"..</span>
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<span style="font-size: x-large;">FINIS!</span></h2>
<span style="font-size: large;">That’s it for another edition of the blog! Tune in next time for more music news, commentary, interviews and, yes, great tunes and videos. Thanks for reading and my best regards to you always!</span><br />
</span><br />soulninjakevin@gmail.comhttp://www.blogger.com/profile/03550433993133198934noreply@blogger.com6tag:blogger.com,1999:blog-2557090185580831968.post-30729803045312016642013-01-23T13:16:00.001-08:002013-01-23T14:39:00.317-08:00KEVIN GOINS MUSIC JOURNAL - JANUARY 23, 2013<span lang="EN">Hey folks! Thanks for checking out the journal and the great feedback received regarding the first edition. Checked out some great performances and have some new info to share but first I’d like to address something that really shouldn’t be such a big issue…and ya’ll know what I’m talking about…..<br />
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BEYONCE AND THE INAUGURATION</h3>
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Ms. Bey did her thing on Martin Luther King Jr Day and someone within the Armed Forces Marching Band had said she lip-synched, which a representative has since tried to smooth over. The press and media have made this into such a big deal - even Chris “Hardball” Matthews covered this on his MSNBC program the other night. Experts have chimed in on CNN about the pro’s, con’s and what-for’s…<br />
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Here’s why this is so NOT a big deal to this music industry journalist/pundit/professional/blah-blah-blah….<br />
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1) LIP-SYNCHING HAS BEEN THE NORM FOR DECADES - From Dick Clark to Don Cornelius and every other music TV show in between (Shivaree, the Lloyd Thaxton Show, Shebang w/Casey Kasem), artists have been lip-synching their tunes on the tube for a mighty long time. Ask any radio DJ from back in the day who have hosted teen record hops as well. Reasons have been many - because the goal was to promote the record and not the performance (Dick Clark’s argument), a live performance is expensive to stage (Don Cornelius). And it’s not gonna stop anytime soon. Whitney, Michael Jackson, even Bruce Springsteen & the E. Street Band lip-synched at the Super Bowl half-time shows they headlined and they didn’t catch that much grief.<br />
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2) WE’RE NOT TALKING MILLI VANILLI HERE - That was a completely different issue altogether. Fabrice (RIP) and Rob were mouthing to someone else doing the singing. It was only when they tried to pressure their record producer Frank Farian into having them cut the vocals for their proposed second album that he (Farian) spilled the beans and the stuff hit the fan. Bey was lip-synching her own vocals.<br />
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3) DAMAGE CONTROL IS TO BE EXPECTED - If Beyonce had sung live and her voice cracked or something along those lines, folks from left and right and in between would have had a field day. She would have been torn to shreds in the press so bad that Christina Aguliera would have sent her a sympathy card. She figured better safe than sorry due to the fact that his was indeed an historic event. Even Aretha Franklin gave Beyonce an indirect pass when she said that singing outdoors when the temperature is cold is not an ideal situation - and the Queen of Soul speaks from experience, having done so at a prior Inauguration.<br />
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To my colleagues in the electronic media - there are more important issues to tackle out there. Let’s leave this one alone.<br />
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Now, on with the show….<br />
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DWELE, ANTHONY DAVID AND COLLETTE - B.B. KING’S CLUB, NYC. MONDAY, JANUARY 21ST.</h3>
A great triple bill that was well worth venturing out to Times Square on Martin Luther King, Jr. Day! Soul music was in great abundance thanks to these great acts! (Photos courtesy of Colleen Rubio, reproduced with permission).<br />
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First up, COLLETTE hit the stage giving props to our POTUS and then launched into a sweet set of acoustic soul and R&B with a tight rhythm trio. Performing tunes from her album, “Juneteenth Revolution”, Collette did not disappoint with her vocal style and good humor. While her performance at Drom last month was fine, she was at times overpowered by the live band. Not so here - Collette was more comfortable in this acoustic atmosphere, which allowed her singing skills to shine even brighter. She should definitely do more “unplugged” type shows in the future. Click the link to check out Collette's guitar and vocal version of her single "Material Star" (taped two summers ago).<br />
<a href="http://www.youtube.com/watch?v=JMFrUZBz6sI">http://www.youtube.com/watch?v=JMFrUZBz6sI</a><br />
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ANTHONY DAVID came on next with the guitarist and drummer from his band, the Do-Gooders. What an impressive performance! No need for bass or keyboards here. Anthony charmed the crowd with his solid repertoire of songs culled from his four albums, including his latest release, “Love Out Loud”. Accompanying himself on guitar as well, Anthony’s set was solid and polished. The highlight was his tune, “Girlfriend” - spelling out the perils of a committed man going out for a night on the town without his loved one and getting hit on by women at the club (Memo to Mr. David - ladies are indeed more attracted to men who already have a honey….it’s a vibe thing, I guess!). His latest single, “Can’t Look Down’”, sounds so good acoustically, I do hope that his label - Purpose Music - will consider releasing an “unplugged” version in the future (get on it, Mr. Littlejohn and Mr. Johnson!), Click the link to Anthony's Girlfriend", taped a few months ago.<br />
<a href="http://www.youtube.com/watch?v=55AWFesXUEo">http://www.youtube.com/watch?v=55AWFesXUEo</a><br />
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Finally, there’s the Motor City’s own DWELE, who came on dressed as if he just taped a segment of the 1960s TV show, “Shindig”! (White tuxedo jacket, black slacks, cinnamon dress shirt and bow tie). He had the ladies swooning from jump with his brand of neo-soul, anchored by a seven piece band with horn section. Echoing the masters of soul such as our dear Mr. Gaye, Dwele did not disappoint the crowd with his smooth vocals (low baritone to falsetto) and was greatly supported by his background vocalist. Dwele's set was indeed intense and passionate to those who were definitely “feeling it” that night. Towards the end of the show, Dwele left the stage and serenaded the audience right where they wined and dined, much to their absolute pleasure! Brotha-man is lucky he didn’t lose his shirt that night - and if he did so, I highly doubt those who enjoyed themselves would have complained! Click the link and check out Dwele's "Obey", from his latest album, "Greater Than One".<br />
<a href="http://www.youtube.com/watch?v=SFAPDfbEKlI">http://www.youtube.com/watch?v=SFAPDfbEKlI</a><br />
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UPCOMING EVENTS</h4>
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SOUL FACTORY PRESENTS GREENTEA, ELIJAH BLAND AND FELICIA TEMPLE, DROM NYC, SATURDAY JANUARY 26TH.</h3>
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<img alt="Soul Factory presents" height="735" src="http://www.dromnyc.com/member_files/files/SoulFactoryflyer.jpg" width="500" /><br />
Held on the last Saturday of each month, SOUL FACTORY PRESENTS highlights the best from the world of independent soul music and this weekend is no exception. If you want to see great performances and are in the NYC area, go to Drom on Avenue A this weekend and check it out. Click the link for reservations.<br />
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<a href="http://www.dromnyc.com/events/2228/soul-factory-presents">http://www.dromnyc.com/events/2228/soul-factory-presents</a><br />
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ASHLEY ALLEN, PIANOS, NYC, FRIDAY FEBRUARY 1ST </h3>
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Singer/songwriter ASHLEY ALLEN will be showcasing her brand of power pop/dance at Pianos here in NYC. Her works are in league with what SHOULD be heard on the radio and seen via video channels. Free admission to this performance. Click the link for info and check out a clip of her music.<br />
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<a href="http://www.pianosnyc.com/">http://www.pianosnyc.com/</a><br />
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ON THE NATIONAL FRONT…</h4>
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VINTAGE TROUBLE</h3>
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Props to George Littlejohn of Purpose Music for hipping me to this LA-based band. Managed by industry vet Doc McGhee, VINTAGE TROUBLE (Ty Taylor - vocals, Nalle Colt - guitar, Richard Danielson - drums, Rick Darrio Dill - bass) combines the best of powerful rock with the “umph!” of soul. Their 2010 album, “The Bomb Shelter Sessions” has sold thousands of CD’s thanks to the band’s heaving gig schedule and great word of mouth. Their legion of fans, dubbed “Troublemakers”, is growing fast and quick with every show they do. Vintage Trouble has appeared on the UK’s Jools Holland Show and last December, they brought down the Ed Sullivan Theater on the Dave Letterman Show (Mr. Sullivan would have been more than proud!). They recently toured as the opening act for the Who. If they come to your city and town, do yourself a favor and check them out. I know I will! Click the link to their website and check out the music clip posted here.
<a href="http://www.vintagetrouble.com/bio.html">http://www.vintagetrouble.com/bio.html</a>
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Well, that does it this time for THE KEVIN GOINS MUSIC JOURNAL. Tune in for the next edition, when I’ll be posting a SOULFUL CONVERSATION with publisher/entrepreneur LILA POLITE, music from soul man JARRARD ANTHONY and many other goodies. Thanks for reading and please feel free to post any feedback you may have!
Regards,
Kevin</span><br />
<br />soulninjakevin@gmail.comhttp://www.blogger.com/profile/03550433993133198934noreply@blogger.com6tag:blogger.com,1999:blog-2557090185580831968.post-28436629860773537392013-01-09T14:15:00.001-08:002013-01-10T06:44:00.038-08:00A NEW DAY…..A NEW BEGINNING<br />
Well, here it is folks…..the debut of THE KEVIN GOINS MUSIC JOURNAL, something I’ve been talking about for a few weeks. The goal of this blog is to draw attention to the music makers and shakers - past, present and future - with an emphasis on independent works. Why focus on the indies? Because most of the success in the recording industry, as far as contemporary music is concerned, has come from the indies. The list of folks is long, the record labels almost as extensive. <br />
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In addition to the artists and the labels, this journal will also serve as a place where issues dealing with the music industry can be discussed with candor. Also, and most importantly, I will bring to you, the reader and the listener, interviews and commentary from those in front of the microphone or guitar amp as well as behind the scenes folks who have brought excellence to this business of music.<br />
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Finally, look out for things to come from my archive of interviews and articles I have done over the many years as well as future discussions via the SOULFUL CONVERSATIONS series I launched in mid 2012.<br />
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I look forward to this new journey and hope you will enjoy it, too!<br />
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<span style="font-family: inherit; font-size: large;">CARLTON J. SMITH - TRAIN SONG</span><br />
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<br />Hard to believe that it’s been 20 years since I met the soulful force that is CARLTON J. SMITH. Singer, songwriter, actor, soul savant (to borrow a phrase from legendary record exec Jerry Wexler), Carlton has been doin’ his THANG almost as long as Gray’s Papaya in NYC has sold hot dogs (okay….a slight exaggeration….). For the past few years, he’s been playing the big and small rooms over in Shanghai, China as well as putting together some fine music for present and future release. Here’s a taste of what Carlton has been up to - a soulful twist on a Tom Waits tune that will be available soon for download. Check out the video for THE TRAIN SONG and click the link for more info regarding our dear Mr. Smith! (<a href="http://carltonjsmith.org/index.php?amp;Itemid=10&option=com_content&Itemid=9">CARLTON'S WEBSITE</a>)<br />
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ANTHONY DAVID - CAN’T LOOK DOWN</span><br />
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When’s the last time you’ve heard a song so catchy, the repeat button MUST be engaged! Well, my colleagues at PURPOSE MUSIC GROUP (George Littlejohn, Russell Johnson and Donald Cleveland - NYC and NJ's answer to Philly's Gamble, Huff and Bell!) has just the thing, courtesy of their Grammy-nominated artist, ANTHONY DAVID. His fourth album (now available), LOVE OUT LOUD, features this poppy slice of soul, CAN’T LOOK DOWN, and believe me I couldn’t give my CD player a rest from blasting this tune (yeah, yeah….I still play CD’s…and records….hell, even 8-tracks!!).<br /><br /> Anthony wiIl be sharing a bill with Dwele at B.B. King’s Nightclub in NYC’s Times Square on Monday, January 21<sup><span style="font-size: x-small;">st</span></sup> so if you live in the area, get your tickets NOW ‘cause it’s gonna be sold out soon! (Opening act - Collette...more on her later!)<br />
<a href="http://www.bbkingblues.com/bio.php?id=2385">BB KING'S - DWELE, ANTHONY DAVID (opening act - COLLETTE)</a><br />
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In the meantime, enjoy the video and if you like it, click the link below and BUY IT!<br />
<a href="http://www.amazon.com/Love-Out-Loud-Anthony-David/dp/B009B0L496/ref=sr_1_cc_1?s=aps&ie=UTF8&qid=1357772302&sr=1-1-catcorr&keywords=anthony+david+love+out+loud+cd">ANTHONY DAVID - LOVE OUT LOUD</a><br />
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<span style="font-size: large;">TEIRA DOOM and REAL SCHOOL PEOPLE</span><br />
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<img alt="" height="170" id="Image1_img" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0d70Qpux4q5j2xB_nXIDrAB8lJNwnSigA1DTMLabywk0Z8RhKSpdnw63R0uV06Ag4GGncBbNRf8WCVqxTPdZs8O0IK7gNc3sAgMotHyfXQXfKuWjbj4426xTv2OyVXdSYYIrRiAB9iJDo/s170/rtsdpht.jpg" style="visibility: visible;" width="128" /><br />
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<a href="http://realschoolpeople.blogspot.com/">http://realschoolpeople.blogspot.com/</a><br />
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For many years, TEIRA DOOM has documented the histories of folks in the entertainment biz via her excellent blog series, REAL SCHOOL PEOPLE. No matter if the person or persons are well known, behind the scenes people or obscure, Teira has given the spotlight to those who have paved the way in the industry - people who have made their mark in their given fields with excellence and class. And Teira herself is no slouch, either - she’s composed music and produced jingles for the ad agencies, was a staffer for NBC-TV’s “The Midnight Special” and is an experienced tech wizard. Check out REAL SCHOOL PEOPLE and show Teira some love with your feedback<br />
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<span style="font-size: large;">COLLETTE, CHOKLATE and DARIEN DEAN at DROM-NYC, DECEMBER 29, 2012</span><br />
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What a night for soul music here in the Big Apple! Three great indie acts with strong skills took to the stage on a light snowy Saturday night at DROM in NYC’s Alphabet City for the excellent SOUL FACTORY PRESENTS series - co-sponsored by Soul Factory, the Bloom Effect (hey, Fiona Bloom!),Rich Johnson, State Farm Insurance (“…like a good..” okay, I’ll stop singing!) and Purpose Music Group. The acts included COLLETTE, DARIEN DEAN and CHOKLATE (links contain music videos from their releases).<br />
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First up, COLLETTE wowed the audience with an upbeat set of songs from her album “Juneteenth Revolution”. Her brand of soul reflects what we need more of nowadays - music with melody that tells a story. (Link to buy album - <a href="http://www.amazon.com/Juneteenth-Revolution/dp/B00AGRB8M6/ref=sr_1_1?ie=UTF8&qid=1357772229&sr=8-1&keywords=collette+juneteenth+revolution">COLLETTE - JUNETEENTH REVOLUTION</a>)<br />
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DARIEN DEAN came on second with a solid set of smooth sounds that had the audience wanting more (and he gave more!). A suave singer with charm to boot, Damien was a winner from start to finish, performing tunes from his albums (click the link to buy his lateste release - <a href="http://www.amazon.com/If-These-Walls-Could-Talk/dp/B001VMG0QE/ref=sr_1_fkmr0_2?s=dmusic&ie=UTF8&qid=1357773137&sr=1-2-fkmr0&keywords=darien+dean+if+these+walls+could+talk">DARIEN DEAN - IF THESE WALLS COULD TALK</a>)<br />
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Finally, CHOKLATE closed out the show with a deep set of songs and a powerful performance. Choklate was a real trooper - doing her thang while under the weather and that did NOT keep her from bringing it to the stage, performing tunes from her albums such as her latest release, "Fly" (Click the link to buy - <a href="http://www.amazon.com/Fly/dp/B009PLGNG0/ref=sr_1_1?s=music&ie=UTF8&qid=1357772344&sr=1-1&keywords=choklate+-+fly">CHOKLATE "FLY"</a>)<br />
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<br />My kudos to all involved with the Soul Factory Presents series - held the last Saturday of each month at Drom NYC. Click the link for more info and make your reservation for the next gig!<br />
<a href="http://www.dromnyc.com/events/2228/soul-factory-presents">DROM NYC - SOUL FACTORY PRESENTS (Saturday.January 26th)</a><br />
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That’s all for now, gang! Stay tuned for more music news, interviews, the SOULFUL CONVERSATION series and other great things coming your way. <br />
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Feel free to drop an email or follow me on Facebook and Twitter. <br /><br />Thanks for reading and listening!<br /><br />Kevin <br />
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<a href="mailto:kevingoins@juno.com">kevingoins@juno.com</a><br />
twitter - @kevingoins1<br />
</span><br />soulninjakevin@gmail.comhttp://www.blogger.com/profile/03550433993133198934noreply@blogger.com2tag:blogger.com,1999:blog-2557090185580831968.post-90981987124392840202012-12-02T18:34:00.000-08:002012-12-02T18:34:48.580-08:00Stay tuned, folks! Starting in January 2013 - coinciding with my 30th anniversary in the media and music business - I will launch this blog to cover what's happening in the recording industry (past, present and future). I promise it will be a great adventure and do hope you will come along for the ride. Looking forward to speaking with those in the biz about the biz as well as reading your comments and feedback. Be well, have a blessed Christmas, Haunakah, Kwanza and New Year. <br />
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Best regards always,<br />
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Kevin Goinssoulninjakevin@gmail.comhttp://www.blogger.com/profile/03550433993133198934noreply@blogger.com0