KGMJ - MAY 21, 2013

Hey folks! Thanks for stopping by this edition of the KGMJ.  Lots to talk about this time around including two new SOULFUL CONVERSATIONS, so let’s get right to it!

ZONGO JUNCTION

This Brooklyn-based band calls their music Afro-Beat.  I say they combine the best of the J.B.‘S, Santana and Tower of Power .  Funky rhythms, cool organ riffs and thunderous percussion anchor a killer six piece horn section and as well as two guitarists.  In other words, their sound is BIG, LOUD and ALL GOOD!!  Zongo Junction just wrapped up a three-week gig at NYC’S Bowery Electric so be sure to check them out when they come to your area.  In the meantime, click the link and enjoy their performance of “TUNNELBAR”.  http://www.youtube.com/watch?v=A5NwTmZWOA8

SOULTRACKS’ 10TH ANNIVERSARY CELEBRATION AT DROM-NYC (5/25/13)

Ten years ago, Detroit-based venture capitalist Chris Rizik launched a website- SoulTracks.com - devoted to soul and R&B.  It was a passion and a labor of love that within the next few years grew into one of top sites to read and hear about soul music from all corners of the spectrum - classic, contemporary, domestic, international, released by major labels and independent companies.  On Saturday, May 25th, the good folks behind Soul Factory Presents at DROM-NYC in lower Manhattan will pay tribute to SoulTracks.com with performances by the legendary Force MD’S as well as Angela Johnson and Russell Taylor. Check out the flyer for info regarding reservations and click the link to view the SoulTracks site! http://www.soultracks.com/

A SOULFUL CONVERSATION WITH RAHIEM OF THE FURIOUS FIVE

Over 30 years ago, Grandmaster Flash and the Furious Five brought us hits such as “The Message” and “White Lines”, among others.  The group became the first rap/hip-hop act to be inducted into the Rock & Roll Hall of Fame along with their classic, “The Message”, being entered into the Registry of the Library of Congress as being one of the influential musical pieces that impacted American society.  I caught up with RAHIEM of the Furious Five recently for this SOULFUL CONVERSATION http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-rahiem-of-the-furious-five/

A SOULFUL CONVERSATION WITH B.G. RHULE

On December 7, 1964, singer Sam Cooke was shot and killed in a Los Angeles area hotel.  It was documented that he was killed in self-defense by the manager of the establishment but through the years many have suspected foul play.  

Author B.G. Rhule has revealed in her latest book, “One More River To Cross - The Redemption of Sam Cooke”, that the music legend’s death was indeed the result of circumstances that point to a certain insider within Mr. Cooke’s camp - a person that was very close to seeing dismissal from their employ.  Never before seen autopsy reports and photos in the book show that Sam was brutally beaten with blows that indicate more than just being hit with a broom by the hotel proprietor.  Check out this SOULFUL CONVERSATION with Ms. Rhule and hear for yourself.  http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-author-bg-rhule/

MEMORIAL SERVICE HONORING THE LATE DR. DONALD BYRD, NYC (5/7/13)

Musicians, colleagues, loved ones and fans paid tribute to the departed jazz horn legend/educator/leader on May 7th at Harlem’s Abyssinian Baptist Church.  It was a night of excellent music and remembrances from Donald Byrd III, Herbie Hancock, Nat Adderley, Jr., Najee, Bobbi Humphrey, Kevin Toney of the Blackbyrds, Johnny Kemp, Don Mizell, Wallace Roney, Cyrus Chestnut, Maurice Brown, Poogie Bell, Jeremy McDonald, Jimmy Owens, Doc Gibbs, Clifford Adams, Keith Robinson, the Koka Strings Ensemble, Onaje Allan Gumbs, members of the Abyssinian Church Choir, the Reverend Calvin Butts III and the man who organized the whole event, keyboardist/composer Alex Bugnon.  Enjoy the pics!

Herbie Hancock

Bobbi Humphrey

Alex Bugnon

Abyssinian Choir (Johnny Kemp, top row - third from right)

Herbie and Alex

Cyrus Chestnut blowin' his horn

Record label executive Don Mizell, whose late brothers (Larry & Fonce) collaborated with Donald Byrd.

Musicians performing "Places & Spaces"

Najee on the flute

Najee, Bobbi with Jimmy Owens on flugelhorn

The Rev. Dr. Calvin Butts III, pastor of Abyssinian Baptist Church

Wallace Roney on trumpet w/Alex 

Wallace, Bobbi, Najee, Jimmy and company

NEXT TIME…..

Look out for the next KGMJ as we kick off the summer featuring a SOULFUL CONVERSATION with Harry Elston, founder of the Friends of Distinction, as well as a KGMJ INTERVIEW with singer/songwriter Beverly Bremers (“Don’t Say You Don’t Remember”) - two best examples of sunshine soul and pop! Until then, share any feedback you have in the comments area below or stop by my Facebook page.  You can even drop me an email to kevingoins@juno.com. Take care, thanks for reading and listening!

KGMJ - APRIL 27, 2013

Hey there! Thanks for checking out this latest edition of the KGMJ! Lots of stuff happening now that spring is in full bloom. Concerts, club gigs, music series - you name it! Before we dive into the posting, I just want to thank all of those who have read the KGMJ and posted your feedback via Facebook, Twitter, emails and phone calls. Greatly appreciate any and all input!

CLAUDETTE ROBINSON (THE MIRACLES)

First of all, I must thank my dear friend and comrade Dillon Fred Gorman for making this happen (his late father, Freddie Gorman, was the man who brought us classics such as “Please Mr. Postman”, “Just Like Romeo & Juliet” and co-founded the Originals of “Baby I’m For Real”/”The Bells”). As many of you know, MOTOWN - THE MUSICAL is running on Broadway here in NYC and has been packing in the house at the Lunt-Fontanne Theater. Prior to its official launch, many Motown folks (correction - a LOT of Motown folks!) were here for the previews so when Dillon called me up so we could meet and catch up, I took the offer (BTW - I haven’t seen the show yet and I’ve heard great things so far about the musical). I walked into Valerie Simpson’s Sugah Bar Restaurant where I saw Dillon, his mother, many of Mr. Gordy’s executives from back in the day, Montez Payton (the son of the Four Tops’ co-founder, the late Lawrence Payton) and THIS legend was at the table! 

Claudette Rogers Robinson co-founded the Miracles in 1957 with Warren “Pete” Moore, Bobby Rogers, Ronnie White, guitarist Marv Tauplin and then-husband Smokey Robinson. Mrs. Robinson recorded and toured with the group until 1965, when she left the road to have a family with Smokey (she still sang on the their recording sessions). After children Berry and Tamla was born, Claudette raised the kids while Smokey embarked on a solo career when he wasn’t at the Motown office (he was the label’s corporate vice-president). Smokey and Claudette were husband and wife until 1987, when the two divorced.

What can be said about Mrs. Robinson? (Pictured here with Smokey, Pete, Bobby and Ronnie in 1971). First of all, she has a great set of pipes as evidenced by the recordings she made with the Miracles. In fact, there are many sides that feature Claudette on lead vocals. Second, she is absolutely stunning! A radiant smile with a warm personality to match. Claudette has seen her share of the good, bad and otherwise in the music biz and I hope that someday she will write a book about her life’s work.


As many of you know, I’ve been a Motown fan ever since I can remember thanks to my elder siblings (they had the records!). To finally meet a legend such as Claudette Robinson was indeed an honor and a privilege. A moment that will always be treasured.

Thanks again to Ms. Claudette Robinson, Dillon Fred Gorman (left) Montez Payton (right), Mrs. Gorman and the many folks there who made this moment a night to remember. Check out Claudette taking lead on this rare Miracles single released on the Tamla label in 1960, "After All" (Video that accompanied this tune assembled by fellow Soulful Detroit Forum colleague, Shelly "SoleMann" King.  Color photos courtesy of Dillon Fred Gorman.  Black and white photo courtesy of Johnson Publications).

SESSIONS @ STUDIO 58 TV

Launched by music entrepreneur Elliott James, this Sunday night series of live, acoustic soul/R&B shows in the Brick City (uh, Newark NJ, that is!) have brought the best performances from today’s great independent acts. So far, artists such as Angela Johnson, Elijah Bland and Grammy Award winner Gordon Chambers have graced the Sessions @ Studio 58 TV stage. The performances are streamed live on the Internet with video clips posted after the shows. We caught up with series founder/producer Elliott James to discuss Sessions @ Studio 58 TV, the artists who appeared and those will be there in the future. Click the link and check out this SOULFUL CONVERSATION with Elliott!
http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-elliott-james-sessions-studio-58-tv/
　

A SOULFUL CONVERSATION WITH BRUCE HAWES

Composer, arranger, producer, engineer. These are just a few of the many hats worn by the great Bruce Hawes. Based in Philadelphia for several years until he relocated to Florida, Bruce co-wrote many hits such as the Spinners’ classics “Sadie” and “Games People Play (They Just Can’t Stop It)”. Bruce learned from the best - his music teachers in school - and worked with music’s finest (Kenny Gamble and Leon Huff, Thom Bell). He’s also worked alongside artists such as the late jazz violinist, Noel Pointer. Currently, Bruce is putting the finishing touches on his autobiography that will also serve as a great how-to book on how to succeed in this business of music. Click the link and enjoy our SOULFUL CONVERSATION with Mr. Hawes!
http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-bruce-hawes/


A SOULFUL CONVERSATION WITH WAYNE JACKSON (THE MEMPHIS HORNS)

Fifty-two years ago, a teenage Wayne Jackson co-wrote and blew his funky horn with the Mar-Keys on the Top 5 pop/soul smash, “Last Night”. From there, the adventure began for this legend - cutting tracks as a session man and Mar-Keys member for Stax Records, working alongside legends from Otis Redding to Sam & Dave, touring Europe and then the Monterey Pop Festival, forming the Memphis Horns with sax great Andrew Love, jetting between Memphis and other major cities for gigs, goin’ Country in Nashville with Marty Robbins, leading the horn section on Peter Gabriel’s “Sledgehammer” all the way to earning the Lifetime Achievement Grammy with his lifelong friend Mr. Love (pictured here, circa 1968).

Mr. Jackson has a three-volume set of memoirs (In My Wildest Dreams - Take 1, 2 & 3) that he and his wife Amy have published (and yes, his story DOES warrant three books!!). We caught up with Wayne recently for this SOULFUL CONVERSATION (click the link and enjoy!)
http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-wayne-jackson-memphis-horns/

SPRING INTO REISSUES!

Here are two new CD reissues now available, each with liner notes penned by yours truly.

FREDA PAYNE "SUPERNATURAL HIGH", released in 1978, was the sophomore Capitol album by the femme fatale who brought us the hit classics "Band Of Gold", "Bring The Boys Home" as well as "Deeper & Deeper".  As she indicated in the interview for the liner notes, Ms. Payne enjoyed cutting this release for it allowed her to venture into rousing disco ("Happy Days Are Here Again/Happy Music"), ballads ("Just The Thought Of You And Me Together - Supernatural High") and R&B/soul - all produced by Skip Scarborough.  The liner notes feature great insights from both Freda and sister Scherrie Payne (who penned "Storybook Romance" for the album and later recorded it with Susaye Greene on Motown). Click the link and check out one of the tunes from this fine album. http://www.youtube.com/watch?v=y3ygcwQds94

G.C. CAMERON “LOVE SONGS AND OTHER TRAGEDIES” was the first ever Motown long-player (released in 1974) from Mr. Cameron after his tenure with the Spinners (“It’s A Shame”) and a bunch of solo singles on the Mowest subsidiary. Chock full of great tunes written and/or produced by Stevie Wonder, Willie Hutch as well as the Muscle Shoals’ production team of Terry Woodford and Clayton Ivey, the album was indeed tailor-made to show off G.C.’s versatility. The liners feature quotes and commentary from interviews with G.C., Terry Woodford, composer/producer Pam Sawyer, Motown engineer Bob Olhsson as well as input from Deke Richards of The Corporation prior to his passing a few weeks ago. The CD contains the original album plus G.C.'s Mowest singles from 1972-74.  Click the link for a taste from the disc. http://www.youtube.com/watch?v=y9ni_umo-c0

These reissues are courtesy of SoulMusic Records - co-owners are the legendary David Nathan (the British Ambassador of Soul from Blues & Soul Magazine fame) and longtime record executive Michael Lewis.

THAT’S ALL FOLKS!

Thanks again for checking out the KGMJ as we enter into the month of May! Look out for more music reports to come (lots of stuff happening soon!) and by all means any feedback is greatly appreciated. Take care and be well!

KGMJ - APRIL 2, 2013

Hey folks! Had to take some time off from the blog so I could handle some other business. Some exciting things happening soon and I will let y’all know as matters are finalized. We lost some mighty big legends in the past few weeks - The Temptations’ Damon Harris and Richard Street, Spinners lead singer Bobbie Smith, producer/engineer extraordinaire Phil Ramone and the following gentleman whom I had the honor of meeting many years ago when I participated in the Soulful Detroit Forum webpage. Read on about him…..

REMEMBERING DEKE RICHARDS

His name should be familiar to anyone who bought a Jackson 5 single or album between 1969 and 1973, among the many achievements he had while at Motown Records. DEKE RICHARDS was the captain of the production team known as The Corporation - four men brought together by label founder Berry Gordy to create songs for the five young brothers from Gary, Indiana. Deke - along with Fonce Mizell, Freddie Perren and Mr. Gordy - hit it out of the music biz ballpark when they scored three consecutive #1 hits for the J-5. “I Want You Back”, “ABC” and “The Love You Save” as well as the Top 10 smashes, “Mama’s Pearl” and “Sugar Daddy”. They also co-authored several album tracks that remain fan favorites - “I Found That Girl”, “Can I See You In The Morning”, “I Will Find A Way”, “She’s Good” and the non-album b-side, “I’m So Happy” (“Sugar Daddy” was the a-side).

Deke Richards - who passed away last week after battling esophageal cancer at the age of 68 - accomplished much while at Motown, besides working with the Jackson 5. Born Dennis Lussier in California, Berry Gordy hired him in 1966 as one of many folks to work at the label’s west coast office (which became the company’s headquarters in 1972). Yet, Deke wasn’t confined to Los Angeles - when Motown needed to come up with a hit for Diana Ross & the Supremes in 1968, Deke (along with colleague Frank Wilson) flew in to the label’s base of operations in Detroit to participate in a brainstorming session at the Ponchetrain Hotel with R. Dean Taylor, Pam Sawyer and Mr. Gordy himself. A couple of days later, Taylor, Sawyer, Wilson and Richards came up with the demo of “Love Child”. After handing the tape to BG, here’s what happened next, in Deke’s own words (courtesy of the Soulful Detroit Forum)…..

“When I arrived at the mansion. Berry was playing the tape, singing some melodies, etc. He told me he how much he liked the guitar licks and wanted to hear more of them. ‘Well ‘, I said, ‘did you decide on a progression you like the best?’ ‘Let's just play around with them for a bit. Plug in your guitar’, he said. So we went over the different changes, moving things around, etc….We used pretty simple chords, so it was easy for Berry to actually learn the progressions, and play along on the piano. I helped just feeding him the chords verbally, till he was comfortable. When we finally stuck with the composite progression we both seemed to like the best, we gave it a try together. It felt right and the order of the chords went together fine. We sang some melodies back and forth. Then, I played the tape we had made at the Ponchetrain earlier. ‘OK‘, I said, ‘Now see if you like this.‘ When it came to one of the sections we had decided to use, I played more of the 'Duane Eddy-ish' guitar licks at the changes. 'Great‘, he shouted. ‘That's it!‘ Well, THAT did it. (Berry) was definitely hyped up and ready to roll. ‘Call (the writers) and tell them to get over to the hotel RIGHT NOW!’ I got on the phone and passed on the word. I reached Frank in his room. I could hear the TV in the background. I said, ‘You sound like you're kicking back. Well, get your shoes on, It's time to go back to work. I'm here with BG at the mansion. He wants us to meet at the Ponchetrain now. We're going for the kill!’"

And did they ever. “Love Child” became a #1 hit for Diana, Mary and Cindy in 1968.

Deke went on to produce Chris Clark’s second album, “C.C. Rides Again” which was scheduled for release on a “progressive rock” Motown subsidiary, Weed Records (no, this is not a joke!). Then came the formation of The Corporation which spearheaded the successful run for the Jackson 5. In addition, Deke ran the boards for Diana Ross’ sophomore solo disc, ‘Everything Is Everything” (he felt that the label rushed into doing her second album too soon after the first solo release) as well as Sammy Davis Jr.’s sole Motown disc, “Something For Everyone” (which earned a thumbs up from Sammy, Frank Sinatra and Dean Martin - long story there!).

If I were to pick a favorite among the many tunes Deke and the Corporation had created, it’s “Maybe Tomorrow” - the title track of the Jackson 5’s fifth Motown album. Released as the follow-up to the smash, “Never Can Say Goodbye”, the song “Maybe Tomorrow” reflected the J-5’s admiration and respect for Philly soul, especially the works of the Delfonics and producer/composer/arranger Thom Bell. Deke admitted to me in a couple of direct conversations that colleague Freddie Perren’s piano licks (especially the intro of “I Want You Back”) were inspired by the keyboard work of Leon Huff. After cutting three tunes from the Delfonics catalogue - “Can You Remember”, “La-La Means I Love You” and “Ready Or Not, Here I Come” - The Corporation created a great song that captured the essence of those classics.

The last time I had spoken with Deke was last August, when I needed quotes for the G.C. Cameron liner notes I authored for the reissue of his album, “Love Songs And Other Tragedies” (The Corporation produced his single, “I’m Gonna Get You”). Although Deke wasn’t feeling well, he did contribute information I needed to complete the writing assignment and said, “I wish we had more time to work with folks such as G.C. Cameron as well as Martha Reeves & the Vandellas (their 1971 single, “Bless You”, was another production by The Corporation). But you know we had five other priorities, and their names were Michael, Marlon, Jermaine, Tito and Jackie!” Even with his illness, Deke’s humor and way with words was shining through.

Deke Richards joined his colleagues Fonce Mizell (left) and Freddie Perren (right) in the land above the clouds. To all of them, thank you for making a hell of a contribution to music. You will never be forgotten.

Click the link and enjoy the Jackson 5's "Maybe Tomorrow", composed and produced by The Corporation, arranged by Gene Page.

SOULFUL CONVERSATIONS

A Detroit recording studio owner/Motown executive, a composer of great lyrics and a jazz pianist beyond compare are the focus of this new round of SOULFUL CONVERSATIONS. Listen and enjoy!

 

RALPH TERRANA

Founder of the Motor City’s Terra-Shirma Studios, RALPH TERRANA shares his recollections of having pop music folks such as the MC5 cut their controversial classic “Kick Out The Jams” and Isaac Hayes’ “Hot Buttered Soul” platinum album at his facility. He went on to become Motown’s Studio Manager in Detroit during the 1970s and produced acts such as The Power Of Zeus as well as the duo Stoney and Meatloaf.  Click the link and enjoy the interview!

http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-ralph-terrana/

　

VINNIE BARRETT

All you gotta do is mention three songs - “Sideshow”, “Just Don’t Want To Be Lonely” and “Love Won’t Let Me Wait”. Composer/lyricist VINNIE BARRETT talks about her move from our nation’s capitol to the City of Brotherly Love, which resulted in writing hit songs that sold millions of records, many of these tunes she co-authored with the equally great Bobby Eli (pictured here with Vinnie, circa 1975). 

She even hints as to who and what inspired her to pen the lyrics for “Love Won’t Let Me Wait” (hmmmm….). Listen in and enjoy!

http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-vinnie-barrett/

　
ALEX BUGNON

During the late 1980s and through the 1990s, keyboardist ALEX BUGNON ruled the contemporary jazz scene with his mix of modern sounds and traditional piano work. His albums were best-sellers and he continues to make great music today. Alex’s upcoming album carries on the theme of his recent effort, where he honors the sounds of acoustic jazz that was popular in the 1960s. He also talks about his uncle, the late jazz legend Dr. Donald Byrd, and announces an upcoming tribute to Dr. Byrd that will take place in Harlem within the next few weeks.  Click the link for our conversation.

http://www.mixcloud.com/musicmankevin/a-soulful-conversation-with-alex-bugnon/

　

A FINAL NOTE….

The passing of Deke Richards was yet another reminder for this blogger as to why I do what I do - which is to help music folks get their stories documented and told so that they will always be remembered. At the same time, Deke did just that over ten years ago when he posted his many adventures with The Sound Of Young America. If you want to know more about the works that Deke, Fonce, Freddie, Berry Gordy and others at Motown had created during the time period of 1968 and 1973, click onto the link - http://soulfuldetroit.com/archives/3838/1748.html?1042799727 , page down to where you see his name and read on. There’s a lot of great tidbits and information he shared, enough to write a book, indeed.

Thanks for checking out the blog and I’ll catch up with y’all later!!

Best regards always,

　

Kevin

KGMJ - MARCH 10, 2013

Hey folks! Thanks for stopping by to check out the latest blog entry. Last week was a bit crazy with artist interviews and liner note assignments - which is why I delayed this current entry until now. Again, I do appreciate your support and readership. Now, on with the show!

BILAL - “A LOVE SURREAL”

The Purpose Music gang has another winner on their hands and a well-deserved one at that. “A LOVE SURREAL” is the fourth release from BILAL and so far the reaction has been very positive. Pre-orders and great reviews helped Bilal’s latest album sell over four-thousand copies within the first week of sales (according to Billboard magazine) and rank high among the most downloads on iTunes. A colleague of Common, the Roots and Grammy winner Robert Glasper (who played keyboards on two tracks), this latest effort from Bilal is a much softer and more acoustic approach to his brand of lyrical R&B and soul. Check out the video for “Back To Love” and buy the album (click the link http://www.amazon.com/A-Love-Surreal-Bilal/dp/B00AXM48WG/ref=sr_1_1?ie=UTF8&qid=1362962998&sr=8-1&keywords=bilal+a+love+surreal )

MARC McBARRON KESSLER

Went to see Marc McBarron Kessler at Don’t Tell Mama’s here in NYC last month (thank you, Theresa Poukamissas for bringing me along!) where he presented his two-man show with singer J. Michael Reeds, “Notes From The Playground”. Marc’s works are indeed promising and with enough perseverance, he could someday be in the same league as the great composers of the Broadway stage (think of the two Stephens - Sondheim and Schwartz, to be exact). The stories Marc writes about are unapologetically autobiographical and poignant. His new show, “The Naked Arcade”, (with J, Michael Reed, Go Mahan and Francesca McAaron) will be at the Underground Lounge in NYC on Saturday, March 16^th (show time - 10pm, click the link for details - http://www.theundergroundnyc.com/events/nextweek). Enjoy this clip from “Notes” where Marc sings, “You’re A Star”.

MARC McBARRON KESSLER "YOU'RE A STAR" VIDEO

SHARON RAE NORTH

Thanks to music manager Tonya Hawley for tipping me off to this Virginia-based chanteuse. From standards to smooth jazz, Ms. North has built up her rep during the past many years in her home state and the southern region of the USA. Sharon’s work has brought her to the attention of Hollywood, when she performed at the wrap party for the filming of “Lincoln”. Her second album on the 32 Bar label, “Gee Baby” was released last year to positive raves. For readers in the Richmond area, Sharon will be gigging at the Wine Loft  (Glen Allen, VA) on Thursday, March 21^st from 8pm to 10pm (click the link for more info - http://sharonraenorth.com/catch_me_here/ ). Here she is from a TV appearance performing the title of her debut disc, “The Way You Make Me Feel.”

THE J. DAVIS TRIO

For almost 15 years, the J. Davis Trio has built a strong following thanks to their perfect blend of hip-hop, jazz and cool rap. The “J” is Julio Davis, whose father was the legendary Chicago soul music producer/executive/label owner, the late Carl Davis (trivia buffs - Mr. Davis named one of his publishing firms after his sons Julio and Brian). Within seconds of listening to their tracks, I was pleasantly reminded of how the three elements I mentioned work so well together. The J. Davis Trio is definitely in the same league as the Roots, A Tribe Called Quest and De La Soul. Julio plays multiple instruments such as the vibes whereas the remainder of the group (Dave Smith, Sam Sharp, Chris Greene and Dave Winer) round out with acoustic bass, drums and horns. The group’s fourth album is now available and they will be in Brooklyn at Freddy’s Bar (the Back Room) on Friday, March 22^nd at 11pm (click the link for details http://freddysbar.com/events/1094/the-j-davis-trio-11pm/). Meanwhile, enjoy this nickel bag of hip-hop jazz, "The Answer".

　

　
MIKE MacARTHUR

When I first met saxophonist and hometown pal “Big” Mike MacArthur, he was a young lion fresh from college in Florida and ready to tackle his grad studies at Columbia University’s Manhattan School of Music. It was a honor to have him work with me and my partners at M.O.F.U. Productions (he served in our pit orchestra for cabaret shows at NYC’s Duplex). A veteran of Maynard Ferguson’s orchestra, Mike went back to Florida and has recorded works both as a leader and a sideman. His latest album, “Feels Like Home”, finds him front and center with a group of heavy hitters that include Rick Braun (horns) as well as keyboardist Jeff Lorber. The long-player pops with energetic solos and precision performances. Click the link to buy the record ( http://www.amazon.com/Feels-Like-Home-Mike-MacArthur/dp/B00B35PB2S/ref=sr_1_1?ie=UTF8&qid=1362963798&sr=8-1&keywords=mike+macarthur) and check out this clip of Mike at the NAMM convention from last year.

A FINAL NOTE…

As many of you know, my passion for music has been in my being since I can remember. While I do have my preferences, as you may have probably figured out, I listen to as well as acknowledge many genres - from soul, jazz and rock to stage tunes, country, folk and classical. That is one of the goals for writing this blog - to bring attention to these forms of music and those who create fine works on an independent level. Yes, there are folks at the major labels who make great music but the big companies have the financial resources to promote their music. The independent acts and businesses have to be more creative to gain support - from social media to continuous gigs and good ol’ word of mouth. That’s why I do what I do here on the blog - help get the good word out for the independent folks. As long as I am here on this earth, I will continue to bring forth these great talents and their music. And I do thank you very much for the support of this blog and the music makers you read about on your PC, laptop, tablet, android, iPad, etc.

Take care and tune in for the next blog entry coming your way at the end of March!

Best regards,

　

Kevin

PS - Any and all inquiries regarding acts, gigs, music and info are greatly appreciated! Send me an email, kevingoins@juno.com , find me on Facebook or follow me on Twitter (kevingoins1). Thanks!　

　

　

　

KGMJ - 2/20/2013

Yes indeed, folks! Another edition of the KGMJ for the month of February. I want to take a moment and thank all who have read the blog and posted your feedback, comments and suggestions via Facebook, Twitter, emails and texts. Greatly appreciate the support and the readership. Let’s dive in to the pool, shall we!!
 

ABIAH @ THE BLUE NOTE, NYC (2/11/2013)

What a great way to spend a wintry Monday evening in the Big Apple! Singer/songwriter ABIAH did two sets at the Blue Note, each one to a packed house. Performing tunes from his latest release, LIFE IS A BALLAD, Abiah fronted a five-piece acoustic band and three solid background singers. His voice…what can I say? Abiah’s tenor is soft yet strong and sonic (think a male version of Minnie Riperton, folks…yes he’s that good!). With great tunes such as “Scent Of A Woman” (new song), “Foolish Heart” and “Doves” (his take on the Prince classic), Abiah had the audience within his spell.

Abiah’s music is a moody yet soft blend of jazz, classical, soul, pop and even folk, all helmed by his classically-trained voice. In the middle of the show, Abiah welcomed Jean Baylor of the duo Zhane to perform “Goodbye”, and their voices more than complimented each other. She even joined him on the encore as well. Abiah is, to this writer, carrying on the tradition of the gentle music that has emerged from the Upstate New York area (he, like me, is from Rochester, NY) and Canada over the past 50 years, from Gordon Lightfoot to the team of Don Potter & Bat McGrath (who worked with Chuck Mangione in the early 1970s).

When I met Abiah backstage, he and I discovered we shared common ground being that we are both from Rochester NY - we graduated from the city’s public school district, shared the same high school voice teacher (Patricia Alexander, mother of famed opera star Renee Fleming) and were raised by mothers who were classically driven (his mom accompanied the great William Warfield, mine studied opera at Canegie Mellon University prior to marrying my Dad).

Now, if only our hometown can have Abiah as part of the Rochester International Jazz Festival next year (and yes, this is a not-so-subtle message to my friends back home to help get the word out!!).  Check out Abiah's reworking of the Prince classic:

BILLY VERA GETS THE GRAMMY (finally!)

Composer/artist BILLY VERA is best remembered by fans for his #1 hit from 1987, “At This Moment” (used in the TV series, “Family Ties”) as well as the 1967 classic, “Storybook Children” with the late Judy Clay. But to many in the recording industry, Billy is a rock and soul music historian who has put his knowledge and personal recollections to great use as a liner note writer and researcher for CD compilations as well as reissues.

I was first knocked out by his authorship when Billy penned the notes for the Rhino Records collection, “The R&B Box”. Actually, these weren’t just notes, Billy practically wrote a BOOK filled with anecdotes, information and first-hand accounts of seeing these legends in action.

Through the years, Billy earned four Grammy nominations for Best Liner Notes and this time, he finally got the prize for his work on the Ray Charles anthology, “Singular Genius - the Complete ABC Singles Collection”, released on the Concord Music label. I cheered when fellow writer A. Scott Galloway posted this info on his Facebook page and I had to put it on mine as well. Very inspiring to see a colleague earn such an honor. And I gotta say this - when I started writing liner notes in the late 1990s, Billy was one of the folks I’d call to get information and even guidance.

Congratulations, Billy. An honor well earned and deserved.  Let's go back in time for a tune he had written which was a hit for Bobby Goldsboro - "With Pen In Hand".

CARL DAVIS REMEMBERED

On the evening of the Grammy Awards, during their In Memoriam segment, I let out a big “hell, yeah!” when I saw the picture of one of my music biz mentors on the TV screen. The late CARL DAVIS has been called The Dean Of Chicago Soul and for great reasons. Record producer, label executive and owner, publisher, Carl was responsible for hits such as “Duke Of Earl” (Gene Chandler), “Monkey Time” (Major Lance), “Dear Lover” (Mary Wells), “Whispers [Getting Louder]” and “Higher & Higher” (Jackie Wilson), as well as “Love Makes A Woman” (Barbara Acklin) when he was the A&R chief for Okeh Records and the Brunswick label. Towards the early 1970s, Carl had his own labels (Dakar/Bashie) and was promoted to VP of Brunswick Records. That’s when the fun really kicked in thanks to hits he released by Tyrone Davis (“Can I Change My Mind”, “Turn Back The Hands Of Time”) and the Chi-lites (“Have You Seen Her”, “Oh Girl”). The mid to late 1970s, he launched two other labels - Innovation II and Chi-Sound.

But what I remember of Mr. Davis was the great help he had given me when I was hired at Brunswick Records in 1995. From the first phone call we had to meeting him in person to our final conversation months before he passed, Carl was always willing to talk about the work he helped create, set the record straight on many issues (for instance, Young/Holt Unlimited did NOT play on “Soulful Strut” - the hit that bore their name - and yes, Motown’s Funk Brothers DID play on Jackie’s “Higher & Higher”), the artists he produced and even about his family, which he named his many companies after (Julio-Brian Music - his sons, Jalynne Productions and Pam Records - his daughters).    The purpose of these conversations was simple - to help me navigate the sometimes choppy waters of the recording industry.

Carl was always in good spirits when we talked and during my business trips to Chicago, stopping by his house for a visit was imperative. This was at a time when many Windy City music legends opened their doors for this travelin’ man who was (and still is) yearning for knowledge. Carl Davis, Eddie Thomas, Willie Henderson, Richard Pegue, Thomas “Tom Tom” Washington, Simtec Simmons, Cicero Blake, Andre Williams, William “Sonny” Sanders, Joshie Armstead, Wesley Wells of the Steelers, Chuck Colbert (American Breed, Rufus, Daylighters), George “Paco” Patterson (Midnight Movers Unlimited).

When I needed to speak with Carl in January of last year for liner note research, legendary arranger/composer William “Sonny” Sanders forewarned me that he was ill. The moment I heard Mr. Davis’ voice on the phone, the oxygen tank he used was in full operation. Yet, he spent whatever time was needed to discuss the music he produced for the late Mary Wells (his recollections can be found in the liner notes for the SoulMusic Records collection of Mary’s 20^th Century Fox recordings). Carl had asked me if I was still living in Wisconsin and after explaining to him that I was moving back to New York City in the spring, he responded, “Good! Get out of Wisconsin, Kev. You belong back in the big city. The (music) industry needs guys like you to help tell the stories about us music makers”. Weeks after I made my transition back to the Big Apple, Carl passed away at the age of 77.

I had originally written an obit for SoulMusic Records when he died but always wanted to write something more personal. Carl’s recognition by the Grammy folks provided that opportunity. As I say on my Facebook page - rest in peace, Mr. Davis, and thank you for the music and your contributions to the industry. You will be remembered and missed.  Here's one that Carl produced for his dear friend and buddy (his words), the late WALTER JACKSON.  From 1965 - released on Okeh Records (which they re-recorded in '75 on Chi-Sound), "WELCOME HOME".

　

GIGS, GIGS AND MORE GIGS!!

If you’re going to be in the NYC area within the next few days, check out these shows….

SOUL FACTORY PRESENTS, SATURDAY FEBRUARY 23^RD, DROM NYC

Another SOUL FACTORY PRESENTS event this weekend, held the last Saturday of each month at Drom in NYC’s Village. Presented by folks such as Purpose Music Group and State Farm Insurance. Featuring KIM HILL, GENO YOUNG and BRIANNA COLLETTE.  Call for reservations.

COLLETTE, FRIDAY MARCH 1^ST, BLUE NOTE NYC

Look folks, I’ve been talkin’ ‘bout COLLETTE for a couple of months, based on gigs she performed at Drom as well as BB King’s. On Friday, March 1^st, she’ll be leading a midnight soul/jazz jam at the Blue Note here in the Big Apple. Tickets are only ten bucks - that’s right, ten dollars (as in two fives, ten singles, a five-four singles-four quarters….get the picture??). So, do yourself a favor, get a ticket - hell, get two tickets (for your and your honey/friend/life partner/bind date), hire a babysitter for the kids and make plans to be at the Blue Note at the midnight hour that first Friday in March. (And yes, Collette, you’re welcome!!!)

THAT’S ALL, FOLKS!!

Thanks again for reading, gang! Tune in next time for features spotlighting the rock act, STREET KING HEROS, a young man of soul named DENNIS “YOUNGBLOOD” TAYLOR and more commentary from yours truly about the industry. Comments and feedback are always appreciated (follow me on Twitter - kevingoins1 - or friend me on Facebook). Take care, be well and keep listening to great music!

Regards,

　
Kevin

　

KEVIN GOINS MUSIC JOURNAL - FEBRUARY 6, 2013

Hi-de-ho, hi-de-hi! Thanks for clicking the link for another edition of the KGMJ. Dang, is it February already??? The new year is going by pretty quick so far! Hope everyone is having a sweet 2013, so far. Let’s get down to biz….
.

THE SUPER BOWL DIVA-DOME!

My old partner from a 1990s production company, Bill Vila, asked me for my perspective in regards to the performances that took place during this year’s big game - musical, that is. In particular, my take on ALICIA KEYS doing the Star Spangled Banner. Well, let’s start from the beginning….

 

JENNIFER HUDSON - I have to admit that Ms. Hudson and the kids from the Sandy Hook Elementary School took the prize for their fine rendition of “America, The Beautiful”. Nothing but pure emotion here in their performance, folks. Jennifer’s contralto was in control and the kids made this worth listening in a big way. If you didn’t feel anything during this segment, better check your pulse.

 

ALICIA KEYS - Looking mighty fine in that red dress, Ms. Keys took a page from the Queen of Soul, Aretha Franklin (co-opted by ‘Ree‘s legendary producer, Jerry Wexler) - just sit at the piano and sing. Alicia took her time with “The Star Spangled Banner”, no rushing, no going for the loud, high notes that has rendered her voice to a gravel-pitch in prior concert performances. She knew that she had to come correct and did so. A fine job, Ms. Keys.

 

BEYONCE, KELLY AND MICHELLE - All jokes aside regarding the electric bill, Beyonce and company brought down the house with their knock-out presentation. Yes, the musicians were miming to tracks. Yes, Beyonce cut her background vocals prior to show time. Yes, it was a dazzling light show that would have made the folks at General Electric smile. But Ms. Knowles was smart - her lead vocals were live and in the house. She didn’t try to dance and sing simultaneously from start to finish - she did one or the other. Having Kelly Rowland and Michelle Williams along for the ride was a smashing touch. It was a performance, indeed. Didn’t expect anything less.

All in all, a fine show. A damn good game (congrats to the Baltimore Ravens). Just one note - being that the Super Bowl was in New Orleans, it would have been great if the handlers had included at least a couple of nationally-known NOLA-based acts for the half-time show or to perform our country’s anthems (Uh, can we say Aaron Neville!!! The man does have a new album out!). Okay, maybe these folks aren’t that well known to many of the young ‘uns who watch the performances but really, gang…..Fats Domino, Irma Thomas, the Neville Brothers, Harry Connick Jr, Lenny Kravitz…need I say more!


Okay, there’s my rant….moving right along….

ABIAH

Singer/composer ABIAH has been receiving rave reviews for his new album, “LIFE AS A BALLAD”, released via Madoh Music and NIA Distribution. A native of my hometown, Rochester NY, Abiah made his debut years ago under the name Jeramiah with an album on Universal/Republic Records. Lack of promotion for that effort prompted him to go the independent route and all for the better. Since the release of his latest disc, Abiah has earned praise from the jazz and contemporary music circles. How to describe his music? A moody piano jazz-influenced set of ballads with his sweet tenor and keyboard work being the highlight. Abiah will be at the Blue Note here in NYC on Monday night, February 11^th. Check out his latest tune, “SEPTEMBER” and look for a review of his Blue Note gig in a future edition of this blog.

MONET CHERISE

The Brooklyn-based MONET CHERISE has been doin’ her thing for quite some time and her gig at Drom’s Soul Factory Presents in November had the crowd on their toes. Combining dance, jazz, Latin and soul, Monet plays a multitude of instruments (flute and guitar, in particular) and her vocals are as sultry as they are playful. Her current album, “LIFE SIZE MIRROR” is available via her own company, Nyamekye Songs LLC, and the folks at Purpose Music. In addition, Ms. Cherise has a Master’s Degree in Special Education from Adelphi University and has directing as well as producing credentials on her resume. Check out Monet’s SPIRIT.

　

　

A SOULFUL CONVERSATION WITH…..LILA POLITE

A media maven and entrepreneur based in Harlem, LILA POLITE is the publisher of Utley Branch Books, a sweet boutique house of fine publications. In the past, Ms. Polite has worked for broadcasting and sports entities as well as spent her time in the music biz trenches as a concert promoter and record executive. This SOULFUL CONVERSATION took place in late September of last year. I must admit that it was folks such as Lila and many others who motivated yours truly to expand into the blogging arena and this journalist is forever grateful. Click the link below for my interview with Lila....
　

　
https://soundcloud.com/#user140611011/lila-polite-soulful
　

A SOULFUL CONVERSATION WITH…..DONALD CLEVELAND

This brotha has been in the record biz so damn long, he should have taken over the major labels eons ago! But nooooo! DONALD CLEVELAND spent several years making sure that classic soul, R&B, dance and jazz albums make it onto CD and download thanks to his work with labels such as Universal Music Group, Razor & Tie Music, Funky Town Grooves and currently, the Purpose Music Vaults. This SOULFUL CONVERSATION covers not only his work in the industry but even advises the music lover as to what needs to be done in order for folks to see their favorite classics come back out of the vaults.

https://soundcloud.com/#kevingoinsproductionmedia/donald-cleveland-soulful
　

ELISA RANDAZZO

She’s the daughter of two songwriting legends, composer Teddy Randazzo and lyricist Victoria Pike. Based on the West Coast, ELISA RANDAZZO served as an executive for Broadcast Music Incorporated (BMI) for quite some time Two years ago, she recorded a great solo disc, “BRUISES AND BUTTERFLIES”, that showed off her prowess in the genre of folk-rock. But don’t call her music “retro-works”, Elisa brings a fresh, modern perspective to her compositions, creating something quite original. In addition, Elisa has her own clothing line based on the duster look of the old west. She took time off from music to raise her young daughter but will be heading back into the studio soon. Looking forward to hearing some great new stuff from Ms. Randazzo. In the meantime, check out “CIRCLES”….

THE BOLTS

Produced and managed by industry vet Guy Eckstine, THE BOLTS and their new album, “WAIT ‘TIL WE’RE YOUNG” is as crisp as a cold splash of water to a sleeping giant. Tight musicianship and solid harmonies grace their latest album. The Irvine, CA-based band consists of guitarist Heath Farmer, bassist Adam Farmer, keyboardist Austin Farmer, guitarist Ryan Kilpatrick, and drummer Matt Champagne The long-player will be available in 24-bit high resolution audio via iTunes this month (translation - it’s gonna sound SLAMMIN’ in digital!). Check out their video, "THE TRUTH"..

FINIS!

That’s it for another edition of the blog! Tune in next time for more music news, commentary, interviews and, yes, great tunes and videos. Thanks for reading and my best regards to you always!